Review: Cloud (Scapegoat Collective)

A “dark meditation on the nature of ambition and contentment” on the Toronto stage

We’ve had a solid decade of immersion in social media. The internet itself has become such an essential, integrated part of our daily lives that it often requires us to ask probing questions about the nature of human interaction and the possibilities of personalized technology. With similar thematic concerns as Black Mirror, Scapegoat Collective’s production of Daniel Pagett’s Cloud (currently playing at Artscape Sandbox), delves into some very intriguing speculative fiction. Continue reading Review: Cloud (Scapegoat Collective)

Review: Other Side of the Game (Cahoots Theatre/Obsidian Theatre)

Photo of Ryan Rosery, Virgilia Griffith, Ordena Stephens-Thompson, Shakura Dickson, and Peter Baily in Other Side of the GameToronto’s Cahoots and Obsidian theatres co-produce writer Amanda Parris’ debut play

Other Side of the Game, currently being performed at Aki Studio, is the first professionally produced play by Amanda Parris. She is definitely someone to keep an eye on in the future. Her play is a powerfully written piece that gives voice to the often-unheard stories of Black women in Toronto. Continue reading Review: Other Side of the Game (Cahoots Theatre/Obsidian Theatre)

Review: Salt-Water Moon (Mirvish)

Photo of Kawa Ada and Mayko NguyenSizzing performances in David French’s play Salt-Water Moon presented in Toronto by Mirvish

Salt-Water Moon, written by Canadian playwright David French follows two lovers in Mary and Jacob as they fight for one last chance at a relationship set under a blanket of stars in 1920’s Newfoundland.

Factory Theatre‘s version of Salt-Water Moon feels like the type of show you would come across in a small studio space off some alleyway somewhere, yet it manages to work beautifully on the bare, Panasonic stage with nothing but a smoky haze and flickering candles as a back drop. Continue reading Review: Salt-Water Moon (Mirvish)

Cheap Theatre in Toronto the Week of October 17th

Five Shows Under $25 in Toronto this Week

Live theatre shows in Toronto with ticket prices of $25 or less, playing the week of October 17th, 2017. Perfect for the budget-conscious theatre-goer. This week’s pics feature real-life drama, festivals, self-discovery quests, and a new look at what Indigenous reconciliation means! Check them out below the cut:

Continue reading Cheap Theatre in Toronto the Week of October 17th

Review: The Chance (Leroy Street Theatre)

Fiona Reid, Claire Burn and Anne van Leeuwen in The ChanceThe Chance, playing at the Assembly Theatre in Toronto, feels “real” with “true” interactions

Hands up anyone else who has never seen a play by George F. Walker. Nor had I until Saturday when I saw the world premier of The Chance at The Assembly Theatre. I’m not sure why I hadn’t seen any of his plays before this, it wasn’t a conscious decision; more a case of never being in the right place at the right time.

Now that I’ve seen one I’m looking forward to seeing more. The Chance is funny, suspenseful, and a social commentary that never hits you over the head. It has strippers, bad guys, mistaken identity, a moral decision, a dead guy, cell phones, and a loan shark. Continue reading Review: The Chance (Leroy Street Theatre)

Review: Flashing Lights (Bad New Days/Ahuri Theatre)

Photo of Dan Watson by Francesca ChudnoffFlashing Lights delivers a heavy dose of theatre realism on stage in Toronto

Science fiction is a very tricky genre to pull off in a sphere such as independent performing arts. This is something that the creators at Bad News Days and Ahuri Theatre must have been aware of, given their bold, “challenge accepted” attitude in the concept and execution of Flashing Lights.

Continue reading Review: Flashing Lights (Bad New Days/Ahuri Theatre)

Review: Tragedie of Lear (Tragedie of Lear)

Photo of Joella Crichton, Deborah Drakeford, Courtney Ch'ng Lancaster, and (Background) Walter Borden by Jon de LeonThe Tragedie of Lear presents a contemporary imagining of Shakespeare’s play in Toronto

The Tragedie of Lear, presented by the eponymous company at the Palmerston Library Theatre, seeks to help audiences connect to the supposedly “modern problem” of how adult children care for their parents, particularly those with mental illness, through the lens of a venerable tragedy.

Because of the age of the actor playing Lear, Walter Borden, the play has an alternate in case of illness. This was the case the afternoon I saw the play. If nobody had told me, I would have assumed Christopher Kelk was the original Lear all along. Surrounded by cast members who seemed to tower over him, he showed a mercurial disposition conflicting with subtle physical degeneration (the production worked with a neurological consultant). Moments of respite remind us that decline is not necessarily predictable or linear. I wish I’d been able to see both Lears for the full experience, but as Lear himself proves to us, time waits for no man.

Continue reading Review: Tragedie of Lear (Tragedie of Lear)

Playlistings in Toronto for the week of October 16th

Shows That Caught Our Eye in Toronto the Week of October 16th, 2017

As the leaves begin their descent towards the ground and summer reluctantly departs, Toronto’s vibrant theatre scene is in full swing. Lin, one part of the Mooney editorial team, is on hand to highlight her most anticipated shows (in red). Check them out below the cut:

Continue reading Playlistings in Toronto for the week of October 16th

Review: The Curious Incident of the Dog in the Night-Time (Mirvish)

Fabulously staged Curious Incident of the Dog in the Night-Time comes to the Toronto stage

When you enter the Princess of Wales theatre for Mirvish’s The Curious Incident of the Dog in the Night-Time, you’re essentially walking into a giant cube made up of grids and pinpoints of light. Everything is mathematically precise, with the entire world of the stage sectioned off into regimented squares and shapes. This is the world of Christopher Boone, a 15-year-old math genius who has what the book the play is based on describes as “behavioural difficulties.” Continue reading Review: The Curious Incident of the Dog in the Night-Time (Mirvish)