Maintage Theatre Company brings the sexually-hinged musical Sweet Charity to Toronto
This youth production of Sweet Charity by Mainstage Theatre Company playing at the Theatre Passe Muraille was an impressively emotional, refined, and enjoyable experience. Ages be darned, these young folks handle adult subject matter with capacity beyond their years.
Continue reading Review: Sweet Charity (Mainstage Theatre Company)
Hard-hitting Akhtar play returns to the Toronto stage
The thought-provoking, bear-poking, conversational fire-stoking play DISGRACED (Hope and Hell Theatre Co., presented by Mirvish Productions) returns to the Panasonic Theatre. Previously produced in Mirvish’s 2016-17 season, this sprawling stage is stacked with 80% of the original cast, and 100% of the hard-hitting political theatre we all need right now.
Continue reading Review: DISGRACED (Hope & Hell Theatre Co./Mirvish Productions)
Buddies in Bad Times presents a fun multi-disciplined cabaret on stage in Toronto
Buddies in Bad Times Theatre hosts Small But Mighty Productions‘ VILLAINS An 80s Musical Cabaret in their intimate cabaret space (with a cash bar!). Despite a somewhat draggy first portion, VILLAINS is overall a fun, lighthearted show.
Continue reading Review: VILLAINS An 80s Musical Cabaret (Small But Mighty Productions)
The Nails by JSquared Theatre at SummerWorks 2017 is a psuedo-abstract coming of age story where our lead character grows up in a violent, racist, and disillusioned world. Through a mixture of monologues, two-hander scenes, and clever staging, we watch as a young woman reluctantly embraces her world and, her attempt to reconcile it.
Continue reading The Nails (JSquared Theatre) 2017 SummerWorks Reviews
Minimalism defines the world of Ruin Road by Wild Rabbit dance projects at SummerWorks 2017. Three performers churn their bodies through diverse movement and dance styles, heavy with emotion, devoid of set or context, and ripe for your own interpreting.
Continue reading Ruin Road (Wild Rabbit dance projects) 2017 SummerWorks Review
Those looking for an easy show need not attend. Steeped in abstraction and absurdity, the double-bill power combo that is Icône Pop by Mayday and To Do, To Don’t by Jenn Goodwin in SummerWorks 2017 never let me get comfortable with a convention. These generous performers do not care if you understand.
Continue reading To Do, To Don’t (Jenn Goodwin) and Icône Pop (Mayday) 2017 SummerWorks Review
Mystifying. Hilarious. Smart. Entertaining. Neurotically planned. Expertly executed. These are all words that accurately describe PERFECTION, until everything goes wrong…or does it?Mark Correia‘s show, playing at SummerWorks festival 2017 as paired with The Chemical Valley Project, entices us with every magical move (and those big blue eyes), making for a quality show, as long as you like your magic shows a little stressful.
Continue reading PERFECTION (Mark Correia) and The Chemical Valley Project (Broadleaf Theatre) 2017 SummerWorks Review
Almeida (The Glorious) by The AMY Project playing at SummerWorks Festival 2017 is an ensemble piece, a non-linear assemblage of monologues, poetry, and group performances of both movement and voice.
Created by the ensemble, this piece explores young peoples’ relationships to their ancestry and how it affects their daily lives through their own true stories. These powerful young people deserve the platform they are fiercely occupying.
Continue reading Almeida (The Glorious) (The AMY Project) 2017 SummerWorks Review
Not Good is a one-man show by Jame MartEnz playing at the 2017 Toronto Fringe Festival. Here, an actor explores what it is to be an actor and a playwright, creating work for yourself, and the learning curve of an industry of dichotomies.
Continue reading Not good (James MartEntz) 2017 Toronto Fringe Review
A Magic Show by Rebecca Rose Productions at the 2017 Toronto Fringe Festival is a bare bones magic show. Little grandeur, little story, and little character make this a cute experience. A pleasant nod seems the appropriate response to this mixed bag of tricks.
Continue reading A Magic Show (Rebecca Rose Productions) 2017 Toronto Fringe Review