All posts by Keira Grant

Review: Medea (Opera Atelier)

Medea is Toronto’s Opera Atelier at its finest

As the overture of Opera Atelier‘s 2017 production of Medea began, the image of the Golden Fleece emblazoned on a black backdrop belied the carnage about to descend. The orchestra’s performance of Marc-Antoine Charpentier’s mood-setter for this classic Greek tale did not. From the first note, the overture was writhing with insatiable blood lust and ruthless precision. Continue reading Review: Medea (Opera Atelier)

Review: Penelopiad (George Brown Theatre)

The Penelopiad tells the story of The Odyssey from Penelope’s perspective, on stage in Toronto

We think we know the story of Odysseus, whose journey home following the battle of Troy took him ten long years, but we do not. George Brown Theatre’s production of Margaret Atwood’s play The Penelopiad–an adaptation of Homer’s Odyssey from the perspective of Penelope, Odysseus’s faithful wife–embraced the feminism and lyricism of this retelling of a truly timeless story. Continue reading Review: Penelopiad (George Brown Theatre)

Review: Jack Charles V the Crown (Canadian Stage Company)

Canadian Stage presents Jack Charles’ powerful show in Toronto as part of Spotlight Australia

I had never hear of Jack Charles before seeing Canadian Stage Company’s production of Jack Charles V. the Crown. Now, I will never forget him. Charles is a 74-year old famous and infamous Australian Aboriginal actor. He is famous for his award-winning film and television career that has spanned over four decades. He is infamous for an almost equally lengthy career of thievery in support of a severe heroin addiction. Continue reading Review: Jack Charles V the Crown (Canadian Stage Company)

Review: Radiant Vermin (Precisely Peter Productions)

Radiant Vermin is a surprising, dark tale of real estate dreams, on stage in Toronto

I was a bit surprised when I arrived at what appeared to be a storefront in Kensington Market to see Precisely Peter Productions’ performance of Radiant Vermin by British playwright Philip Ridley. It transpired that the theatre space, Dirty Talk, is in the store’s basement, where we were welcomed warmly by director John Shooter offering cupcakes and fancy, fruity drinks.

Continue reading Review: Radiant Vermin (Precisely Peter Productions)