Toronto Theatre Reviews

Reviews of productions based in Toronto – theatre includes traditional definitions of theatre, as well as dance, opera, comedy, performance art, spoken word performances, and more. Productions may be in-person, or remote productions streamed online on the Internet.

Review: She Mami Wata & The Pussy WitchHunt (The Watah Theatre)

The Watah Theatre presents the second installment of The Orisha Trilogy in Toronto

Photo of d'bi.young anitafrika in She Mami Wata & The Pussy WitchHuntSurprisingly, this is the first time I’ve attended a production from the internationally-celebrated Toronto-based dubpoet/playwright-monodramatist/arts-educator/theatre director/scholartist d’bi.young anitafrika. It turns out there was no need for me to worry about my high expectations because the performances from anitafrika and frequent collaborator, Amina Alfred, exceeded all of them. She Mami Wata & The Pussy WitchHunt is a profound exploration of the intersections between personal identity, sexuality, gender, religion, and the consequences of colonization.

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Review: Refuge (Nightwood Theatre)

Photo of Raïs Muoi and Jason Weinberg in Refuge by John LauenerToronto’s Nightwood Theatre explores the trials and tribulations of refugees seeking asylum

Nightwood Theatre‘s production of Refuge, now playing at the Tarragon Extraspace, takes on the topical issue of Canadian Immigration, both the system and the people it aims to serve. In a refreshingly raw production, it captures the deeply rooted hopes and fears of refugees and born Canadians in our collective struggle to find safety and a sense of home.

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Review: Pitchfork Disney (Precisely Peter Productions)

pitchforkPrecisely Peter Productions debuts the UK play The Pitchfork Disney in Toronto

John Shooter of Precisely Peter Productions has imported The Pitchfork Disney from the UK, staging it in Double Double Land, a tiny upstairs space in Kensington Market. The play is about two siblings who cloister themselves in a filthy apartment, alternating between reliving their childhood memories and apocalyptic fantasizing. Continue reading Review: Pitchfork Disney (Precisely Peter Productions)

Review: The Other (The Riser Project/Why Not Theatre)

Monica Dottor_The Other

The Riser Project has Dance with Guts

Why Not Theatre’s The Riser Project is a series I will now be waiting for, with baited breath, every year. My senses still tingling from the stunning Oraltorio, I was once again transported to a rich and evocative world by The Other. A blend of storytelling and interpretive dance, this show is sometimes goofy and cartoonish, but it never lets you forget the very human guts holding it together.  Continue reading Review: The Other (The Riser Project/Why Not Theatre)

Review: Ultrasound (Cahoots Theatre/Theatre Passe Muraille)

A Cahoots Theatre & Theatre Passe Muraille Co-Production Written by Adam Pottle Directed by Marjorie Chan Dramaturgy by Yvette Nolan Additional Dramaturgy by Andy McKim Starring Chris Dodd in the role of Alphonse, and Elizabeth Morris in the role of Miranda Set, Lighting & Surtitles Design by Trevor Schwellnus Projection & Video Design by Cameron Davis Costume Design by Nina Okens Sound Design by Richard Lee Stage Management by Sandi Becker Production Management by Kaitlin Hickey Associate Production Manager & Surtitles Operator – Sally Roberts Assistant Stage Manager – Deborah Lim Design Assistant – Erin Frances Gerofsky Apprentice Lighting Designer – Sharmylae Taffe-Fletcher Vocal Coach – Cathy MacKinnon Deaf Community Consultant & ASL Coach, DATT* – Catherine MacKinnon External Deaf Consultant & ASL Coach, DATT* – Joanne Cripps Project Manager, DATT* – Anita Small ASL Interpretation for the Production by Tara Everett, Kate Lewis, and Nancie Anderson Deaf Interpreted Performances by Cathe

Cahoots Theatre’s Ultrasound is Rich and Interesting

A day later, I am still digesting Adam Pottle’s play Ultrasound, which opens tonight at Theatre Passe Muraille. When I arrived home after the production and some vigorous post-show discussion with my companions for the evening, our daughter asked: “Was it good? Did you like it?” Without hesitation, I replied: “It was very, very good. But it’s not really a play you can ‘like’.”

Continue reading Review: Ultrasound (Cahoots Theatre/Theatre Passe Muraille)