Review by Adam Collier
Before attending the Soulpepper production of Under Milk Wood, I was a bit concerned. The Welsh poet Dylan Thomas wrote Under Milk Wood, so I was worried its language would be over my head.
I took it as a good sign when I learned that the title means what it says. Under Milk Wood is a reference to geography. The play is about a town, and if you were looking at a map it would appear … well, below a larger town named Milk Wood.
But doesn’t Under Milk Wood – that coupling of words – sound so nice? That’s the rub for me. When I hear words that seem to be so perfectly chosen to be next to one another, I always feel like I should look for more meaning.
Continue reading Under Milk Wood – Soulpepper
By Megan Mooney
So, it’s no secret that I wish theatre could reach a wider audience. In fact, that’s some of what prompted me to start this blog. Of course, it has no doubt become just another place where people already involved in theatre come, I’m not that delusional… In fact, if I were being honest with myself, I’d have to note that really, this whole post assumes people know about the Toronto Theatre scene. But we can just ignore that for now…
I know people who are not involved in theatre who feel like they can’t go to shows other than mega shows. They aren’t comfortable going to a place like Theatre Passe Muraille, or Factory Theatre, or Buddies and so on and so on. They can make their way to a Mirvish production, but at $70 a ticket, it’s a once a year at most endeavour. Stratford and Shaw, sure they’ll go there, but usually that’s not even once a year, given that for most people it’s a day trip. Well, unless you live in Stratford or Niagara-on-the-Lake I guess.
Continue reading Toronto Theatre – Is it just a bunch of friends playing together?
Okay, so, it’s possible that you already knew this, but theatre people? They have a tendency to be passionate about things.
Not all things. But some things. And there’s not a specific list of what those things are, it in fact (as you would expect) differs from person to person. But here’s the thing, when I theatre person cares about something, they seem to do with it with gusto.
Take for example the comments raging at the Summerworks blog over a promotional video called Expression.
People REALLY care about this. They are raging, some at the video, some at the other commenters, some likely at the world. Is it bad that this makes me laugh a little bit, or does it just mean that as a member of the theatre community I can appreciate our quirks?
The second promotional video release was Interpretation, it will be interesting to see what kind of a reaction it gets. Someone named Naomi has already left a comment that made me giggle, but I’m concerned that people won’t realise it’s a tongue in cheek answer.
Time will tell…
review by Megan Mooney, cross-posted from blogTO
If you were following the Fringe coverage, you already know that I surprised myself by liking One Woman Show a lot. So did a lot of other people. I figured since it was the patron’s pick, and managed to get one of the much coveted ‘Best of the Fringe’ spots and opens tonight at Diesel Playhouse , that it was worth re-visiting.
So, why did people like it?
It’s a good question. One Woman Show is a parody of one-woman shows, written by three men with a man playing the Eileen , the ‘woman’ who’s show it is. Sounds a bit scary, doesn’t it? When I first read about this show I rolled my eyes and figured it was going to be painful. Happily, the show proved me wrong.
Continue reading One Woman Show
by Megan Mooney
Okay, so this isn’t going to be about how to cast, or rehearse for a space you don’t know, or anything like that.
This is from the perspective of an audience member who went to many many shows.
Read on to hear me ramble about show length, show descriptions, and promotion.
Continue reading Tips on how to put on a Fringe production – from the perspective of an audience member