As You Like It – Canopy Theatre Company

Review by Adam Collier

as you like it I went to see the Canopy Theatre Company’s production of As You Like It, which is being staged outdoors, on the Philosopher’s walk. I had never been to a show outdoors before. The experience is pretty cool.

This play, especially because a big chunk of it is set in a forest, seemed to benefit enormously from being outside. There was spontaneity in the air. The sounds of the city –were all around, and for me, in the context of all this extra sound, the language of the play really hit.

It wasn’t the sounds – emergency sirens, raccoons cooing – that added significance to what was being said. It was because when the actors were really fighting to be heard, the words they choose to emphasize, and the way they spoke, carried very clear intentions for me.  I was easily able to follow what was going on.

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Under Milk Wood – Soulpepper

Review by Adam Collier

kenneth welsh

Before attending the Soulpepper production of Under Milk Wood, I was a bit concerned.  The Welsh poet Dylan Thomas wrote Under Milk Wood, so I was worried its language would be over my head.

I took it as a good sign when I learned that the title means what it says. Under Milk Wood is a reference to geography. The play is about a town, and if you were looking at a map it would appear … well, below a larger town named Milk Wood.

But doesn’t Under Milk Wood – that coupling of words – sound so nice? That’s the rub for me. When I hear words that seem to be so perfectly chosen to be next to one another, I always feel like I should look for more meaning.

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Toronto Theatre – Is it just a bunch of friends playing together?

By Megan Mooney

So, it’s no secret that I wish theatre could reach a wider audience.  In fact, that’s some of what prompted me to start this blog.  Of course, it has no doubt become just another place where people already involved in theatre come, I’m not that delusional…  In fact, if I were being honest with myself, I’d have to note that really, this whole post assumes people know about the Toronto Theatre scene.  But we can just ignore that for now…

I know people who are not involved in theatre who feel like they can’t go to shows other than mega shows.  They aren’t comfortable going to a place like Theatre Passe Muraille, or Factory Theatre, or Buddies and so on and so on.  They can make their way to a Mirvish production, but at $70 a ticket, it’s a once a year at most endeavour.  Stratford and Shaw, sure they’ll go there, but usually that’s not even once a year, given that for most people it’s a day trip.  Well, unless you live in Stratford or Niagara-on-the-Lake I guess.

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Theatre folks – We're nothing if not passionate

Okay, so, it’s possible that you already knew this, but theatre people?  They have a tendency to be passionate about things.

Not all things.  But some things.  And there’s not a specific list of what those things are, it in fact (as you would expect) differs from person to person.  But here’s the thing, when I theatre person cares about something, they seem to do with it with gusto.

Take for example the comments raging at the Summerworks blog over a promotional video called Expression.

People REALLY care about this.  They are raging, some at the video, some at the other commenters, some likely at the world.  Is it bad that this makes me laugh a little bit, or does it just mean that as a member of the theatre community I can appreciate our quirks?

The second promotional video release was Interpretation, it will be interesting to see what kind of a reaction it gets.  Someone named Naomi has already left a comment that made me giggle, but I’m concerned that people won’t realise it’s a tongue in cheek answer.

Time will tell…

One Woman Show

review by Megan Mooney, cross-posted from blogTO


20080723_onewomanshow If you were following the Fringe coverage, you already know that I surprised myself by liking One Woman Show a lot.  So did a lot of other people. I figured since it was the patron’s pick, and managed to get one of the much coveted ‘Best of the Fringe’ spots and opens tonight at Diesel Playhouse , that it was worth re-visiting.

So, why did people like it?

It’s a good question. One Woman Show is a parody of one-woman shows, written by three men with a man playing the Eileen , the ‘woman’ who’s show it is. Sounds a bit scary, doesn’t it? When I first read about this show I rolled my eyes and figured it was going to be painful. Happily, the show proved me wrong.

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Tips on how to put on a Fringe production – from the perspective of an audience member

by Megan Mooney


Okay, so this isn’t going to be about how to cast, or rehearse for a space you don’t know, or anything like that.

This is from the perspective of an audience member who went to many many shows. 

Read on to hear me ramble about show length, show descriptions, and promotion.

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The 2008 Toronto Fringe in Review

by Megan Mooney (Cross-posted with blogTO)



I’m not sure what I’m going to do with myself this week, I’ll have to re-learn what life is like with the luxuries like sleep. But, I’m here to tell you, sleep is a small price to pay for the excitement of Fringe.

With the end of the 20th Toronto Fringe Festival I thought I’d take a moment to provide you with a quick round-up of some of the highlights from this year.

Read on for a listing of each blogTO Fringe writer’s favourite show, and the listing of what shows are playing at Diesel Playhouse during ‘BEST OF THE FRINGE.’

(and yes, at some point I do intend to do a Mooney on Theatre overview that is specific to here, but for now I’m re-posting this)

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Rum And Vodka – Cart/Horse Theatre (Toronto Fringe 2008 Review)

Review by Adam Collier


Rum And Vodka felt like watching a really good episode of The Sopranos. The writing is terrific. The acting is excellent. Though the comparison also hints at what I felt was a flaw. I felt a safe detachment from what was going on; the action was on a very high level of entertainment but didn’t trigger emotions for me.

At the same though, to say I was curious about what was going to happen is a huge understatement.

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Just Another School Shooting – Moncton NB Theatre Group (Toronto Fringe 2008 Review)

Review by Adam Collier

image Through the second-half of Just Another School Shooting I just listened with my head-hung. I felt so disappointed.

To be fair, the title offers a clue about the content. The first two words hint at a glib treatment of its subject. I didn’t pick-up on this before going in though. And I’m still not sure if the writing was intentionally bad – mocking its subject – or sincere but poor (or maybe a bit of both).

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