The Orange Dot lands on the Toronto stage with provocative but mixed messages
The Orange Dot, as presented by Theatrefront at the new Streetcar Crowsnest Theatre, is a nuanced, intelligent look at gender relations in the 21st century… until it was not. The production held me and my companion captive until it erupted into an ending that tried to bite off more than it could chew. Continue reading Review: The Orange Dot (Theatrefront)
The Flirty Boys and Carson Pinch Will Die take to the stage at the Toronto Sketchfest!
My second night at Toronto Sketch Comedy Festival was spent catching the double bill of The Flirty Boys and Carson Pinch Will Die at The Theatre Centre. The comedy on offer tonight was just as intriguing as what I saw the night before and I would highly recommend checking out the rest of the festival this weekend with friends or dates!
Continue reading The Flirty Boys and Carson Pinch Will Die (2017 Toronto Sketch Comedy Festival Double Bill)
The Toronto Sketch Comedy Festival continues until Sunday and tonight I was able to catch a double bill of The Hottest Girl in School and Fusion Comedy. It showed the variety of offerings that can be found in the festival. Although the material in both shows were vastly different in content, it was still a thoroughly enjoyable double bill overall.
Continue reading Fusion Comedy and The Hottest Girl in School (Toronto Sketch Comedy Festival Double Bill)
John & Waleed Bridge Worlds and Harmonies at Toronto’s Theatre Passe Muraille
I walked into to John & Waleed, now playing at the Theatre Passe Muraille Mainspace, expecting an afternoon of pleasant tunes from the eponymous creators/performers John Millard and Waleed Abdulhamid, but I was worried that this show featuring “harmonies” created out of “dissonant upbringings” would be too easy on our increasingly troubled times.
Fortunately John & Waleed proved me wrong by subtly provoking complicated questions on identity and history rather than placating them.
Continue reading John & Waleed (Theatre Passe Muraille and Cahoots Theatre)
Magician David Ben dazzles audiences as part of Soulpepper Theatre’s Family Festival in Toronto
Although I have seen my fair share of magic performances on YouTube or at street festivals, Soulpepper Theatre‘s Hocus Pocus is the first full-length magic show I have seen live and I am happy to say that I thoroughly enjoyed myself. Magician David Ben, a seasoned performer with fantastic showmanship and a wry sense of humour, has created an entertaining production that appeals to kid and adult audiences alike.
Continue reading Review: Hocus Pocus (Soulpepper Theatre)
Toronto sketch troupe Sex T-Rex left audience in stitches with their remount of Wasteland
I think I may have to start calling myself a Sex T-Rex fan now. Their latest production Wasteland, coming off of rave reviews from this year’s Toronto and Montreal Fringes and currently playing at The Second City Toronto, is the third Sex T-Rex production I have seen (fourth if you count the fact that I saw Swordplay twice) and I still continue to be impressed by their boundless creativity and consistent delivery of a rollicking good time.
Continue reading Review: Wasteland (Sex T-Rex)
Currently in its 29th iteration, the Weesageechak Begins To Dance Festival is an annual festival of Indigenous work curated by Native Earth Performing Arts. This year’s festival brings a compelling selection of interdisciplinary new works and works-in-progress from both national and international Indigenous artists to the Aki Studio until November 19th. We spoke to Artistic Director Ryan Cunningham about what we can look forward to at Weesageechak 29:
Continue reading Preview: Weesageechak 29 Festival (Native Earth Performing Arts)
How We Are challenges Toronto audiences to get close to an important, uncomfortable subject
Mikaela Davies and Polly Phokeev Productions presents How We Are, a challenging and complicated show that unflinchingly explores the aftermath of sexual assault. It’s the kind of show that has me still mentally unpacking and thinking deeply about what I had seen long after I exited the performance. Continue reading Review: How We Are (Mikaela Davies and Polly Phokeev Productions)