Luminato presents dance by Chinese choreographer Yang Yiping for Toronto audiences
Rite of Spring, playing this weekend at the MacMillan Theatre as part of the Luminato Festival, is a sumptuous dance experience that is a feast for the senses. For her first Canadian presentation, dancer and choreographer Yang Liping brings this stunning piece set to the score of the same title by Igor Stravinsky to Toronto audiences.
Continue reading Review: Rite of Spring (Luminato with Yang Liping and Peacock Contemporary Dance Company)
Mirvish presents the return of Disney’s hit Broadway musical The Lion King to Toronto
Making its triumphant return to Toronto at the Princess of Wales stage is the Disney musical The Lion King. Just like the animated film, the stage production directed by Julie Taymor features the same iconic songs by Elton John and Tim Rice along with all the characters we’ve all grown up with. This production is a true spectacle; a feast for the senses. Whether you grew up with the film or you’re introducing the stage show to a new generation, you will fall in love again the moment Rafiki sings “Nants Ingonyama”.
Continue reading Review: Disney Presents The Lion King (Mirvish)
Soulpepper Theatre presents a play by Academy Award winner Tarell Alvin McCraney in Toronto
Soulpepper Theatre presents The Brothers Size, currently on stage at the Young Center for the Performing Arts, an intimate and hypnotic exploration into brotherhood paired with Yoruban orishas. Written by Tarell Alvin McCraney, Academy Award winner for his screenplay for Moonlight, and directed by Mumbi Tindyebwa Otu, this performance combines live music, ritual, and the characters’ highly nuanced relationships making for a magical experience. Continue reading Review: The Brothers Size (Soulpepper)
Toronto’s Second City presents their spring main stage revue
The comedic masterminds at Second City are back with their latest spring main stage revue, Walking on Bombshells. Known for top notch and highly physical sketch comedy, this new collection of sketches is relevant, politically charged, and fuelled with all things Toronto that you can practically hear the TTC chimes in the distance.
Continue reading Review: Walking on Bombshells (The Second City)
Sook-Yin Lee presents a visceral exploration on censorship in art, at the Berkeley Theatre in Toronto
Unsafe, on stage now at the Berkeley St Theatre, is a rather unique theatrical experience. Told in a documentary style format, this performance features multimedia artist, filmmaker, former MuchMusic VJ and host of CBC Radio One’s Definitely Not the Opera, Sook-Yin Lee in a candid and revealing exploration of censorship in art. To say that this show is edgy and provocative barely scratches the surface. And yet, beneath the surface, what remains is convoluted.
Why Not Theatre and Canadian Stage presents an ASL integrated Prince Hamlet in Toronto
Why Not Theatre along with Canadian Stage presents a version of Shakespeare’s Prince Hamlet, playing at the Berkeley Street Theatre, unlike any you’ve likely seen before. Directed by Ravi Jain and integrating ASL seamlessly into the performance along with gender bent characters, this version of the Bard’s classic is jagged around the edges and very provocative. It’s simply stunning to watch.
Continue reading Review: Prince Hamlet (Why Not Theatre presented by Canadian Stage)
The Tashme Project: The Living Archives explores life in Japanese internment camps, on stage in Toronto
The Tashme Project is a movement bringing to light a part of Canadian history that has been often been kept in the dark; a part of our heritage not often taught in schools. Tashme was one of 14 internment camps in British Columbia used to house Japanese Canadians during the Second World War. The camp spanned over 1200 acres of land and housed over 2600 people. The internment camps were part of Canada’s response to Japan’s attack on Pearl Harbor in Hawaii and their declaration of war against the United States, Canada, and Great Britain; the required registration and hard labor used as a means of locating potential spies.
The Living Archives, playing at the Factory Theatre, is a collection of stories and memories of the Nisei, second generation Japanese Canadians who would now be in their 70s and 80s but were children at Tashme. These are their stories and what they remember of their parents’ lives during those times and the resettlement post war.
Continue reading Review: The Tashme Project: The Living Archives (Factory Theatre)
Eve of St George returns to entrance Toronto audiences with an immersive take on Dracula
I’ve been eagerly awaiting the chance to witness Eve of St George, playing now at The Great Hall, ever since Wayne reviewed it back in 2015. The idea that they’ve taken Dracula, one of my all time favorite stories, and placed it into an immersive and interactive dance-fueled performance on multiple levels throughout the venue seemed so dazzling and sumptuous that I knew I had to see this for myself.
Continue reading Review: Eve of St George (Transcen|Dance Project)
Foreign Tongue, playing at the Next Stage Theatre Festival, explores immigrant life through the eyes of a born-and-raised Canadian in an upbeat and frothy musical. A young urban professional experiences a stroke and slips into a coma only to awaken five weeks later speaking with an Eastern European accent leaving everyone to believe her an immigrant. Though the cast is highly talented, I felt that the story and songs fell unfortunately short.
Continue reading 2019 Next Stage Theatre Festival: Foreign Tongue (playinc.)
Magician Nick Wallace certainly knows how to entertain and mystify a crowd and he does exactly that with his show Strange and Unusual, playing at the 2019 Next Stage Theatre Festival at the Factory Theatre. Having previously stumped the legendary magic duo Penn and Teller, Wallace brings his show of mysticism, magic, hypnosis, and fortune telling to a Toronto audience bringing with it, laughs, gasps, applause and a good dose of cringe.
Continue reading 2019 Toronto Next Stage Festival Review: Strange and Unusual (Flat Earth Global)