Blood Tides, performed by Kaha:wi Dance Theatre and presented by DanceWorks, explores and reclaims the experiences of Indigenous women across generations and cultures. Choreographer Santee Smith brought together a team of Indigenous artists from Canada, the US, Mexico, New Zealand, and Fiji in a collaboration that used dance, video, music, and even pottery to create something that felt like a sacred ritual.
This site-specific one-hander, on stage in Toronto, is smart and funny but didn’t all add up
Katherine is Not a Communist is a new play written by Katherine Doering and Curtis te Brinke and produced by Epigraph Theatre. The one-woman show, featuring Doering as the title character, packs a lot into 90 minutes. There’s American history, classic Hollywood movies, and witchcraft. It’s a wild ride, but for me, the show didn’t hang together. I thought the different bits were interesting, but as a whole, the show left me confused. Continue reading Review: Katherine Is Not A Communist (Epigraph Theatre)→
Fall for Dance North (FFDN) is a unique festival bringing new audiences in Toronto to dance
Fall For Dance North (FFDN) is a unique festival which aims to bring new audiences to dance. The festival features both established and emerging dance artists from Canada and around the world in several mixed programs. And the tickets are only $15! Although FFDN has been around since 2015, this was my first time attending. I’m kicking myself thinking about all the great dance I’ve missed. The festival truly has something for everyone. Even if you are not already a dance fan, it’s a low-risk way to try out a new art form Continue reading Review: Fall For Dance North→
A play by Toronto’s Daisy Productions puts Shakespeare’s female characters centre stage
Gender and women in Shakespeare are hot topics. In recent years, the Toronto area theatre scene has featured a number of Shakespeare productions with women playing men’s roles. Women have played Lear, Prospero, and Romeo to name a few. Daisy Productions’ new play, Ladies Sigh No More, on stage now at The Red Sandcastle Theatre, is a different take on the role of women in Shakespeare. Instead of playing with casting, Ladies Sigh No More imagines what would happen if seven of Shakespeare’s female characters were put together in one room. It’s a hilariously funny look at the Bard, the afterlife, and female empowerment. Continue reading Review: Ladies Sigh No More (Daisy Productions)→
George Bernard Shaw classic takes to the outdoor stage in Toronto
It’s summer, and once again I am rhapsodizing about the joys of outdoor theatre in Toronto. The city truly has a wide variety of choices when it comes to experiencing theatre en plein air. The Guild Festival Theatre’s production of Pygmalion, currently being performed at Guild Park and Gardens in Scarborough, is yet another reason to grab some insect repellent and head outside for some great performances in a lovely setting. Continue reading Review: Pygmalion (Guild Festival Theatre)→