On its website, Bygone Theatre says its mandate is to “produce theatre written or set in the early 20th century, focusing on historical aspects in design and incorporating a classic cinema aesthetic.” His Girl Friday definitely fits this mandate. It’s a trip back in time, and had some moments that were surprisingly resonant today. Continue reading Review: His Girl Friday (Bygone Theatre)
Lost and Found showcases solo plays on the Toronto stage
Lost and Found is an evening of four solo performances by Gambler Productions at the Red Sandcastle Theatre. The four plays featured were not explicitly connected to each other. Instead, each was a meditation on losing or finding a piece of oneself. Continue reading Review: Lost and Found (Gambler Productions)
A “mix of chaos and stillness”, John hits Toronto’s Berkeley Street Theatre
The buzz in the audience as I waited for The Company Theatre’s production of John to begin at the Berkeley Street Theatre was, “Did you know it’s over three hours?” and “Did you see how long it is?” Indeed, John is a long play. But don’t let yourself get hung up on the length. It’s worth the time. Continue reading Review: John (The Company Theatre)
Shakespeare’s The Winter’s Tale lands on the Toronto stage
William Shakespeare’s The Winter’s Tale, currently being performed by Groundling Theatre Company at the Winter Garden Theatre is sometimes referred to as a “problem play.” It’s neither tragedy nor comedy but rather switches between moments of intense psychological drama and moments of comedy and romance. As such, it is a perfect showcase for demonstrating the tremendous range and talent of this group of actors. Continue reading Review: The Winter’s Tale (Groundling Theatre Company)
Second City revamps a holiday classic with hilarity for Toronto audiences
Holidays are all about traditions. But sometimes, you need to mix it up a little and try something new. The Second City’s Twist Your Dickens, currently playing at the Greenwin Theatre at the Toronto Centre for the Arts takes Charles Dickens’ classic Christmas tale in new—and sometimes hilarious—directions. Continue reading Review: Twist Your Dickens (The Second City)
Toronto’s Filament Incubator presents Paradise Comics a play by Caitie Graham
Paradise Comics, written by Caitie Graham and presented by Filament Incubator, is a play about ordinary people, and the inherent drama in ordinary life. In a small basement in Kensington Market we get a glimpse into the heartache, suffering, and also love that might be happening to the teenage girl across from you on the bus or the woman in front of you in line at the grocery store. Continue reading Review: Paradise Comics (Caitie Graham/Filament Incubator)
Shakespeare classic gets a Diwali-themed makeover in Piya Behrupiya, on stage in Toronto
I arrived at the Yonge Centre for the Performing Arts to see The Company Theatre’s production of Piya Behrupiya (Twelfth Night) on a dark, cold, and gloomy evening. But once I was inside, I was surrounded by colour, warmth, and joy.
Piya Behrupiya is being co-produced by Why Not Theatre and Soulpepper in celebration of Diwali, the Indian festival of lights, and it certainly brightened my day. Continue reading Review: Piya Behrupiya (Twelfth Night) (The Company Theatre)
The (Post) Mistress, at the Berkeley Theatre in Toronto, is presented in English, French, and Cree
The (Post) Mistress, currently being co-produced by Théâtre Français de Toronto and Pleiades Theatre at the Berkeley Street Theatre, is a one-woman musical set in a post office. I usually think of the post office as a boring place with long lines. Not where you’d want to spend a lot of time. But this post office, created by First Nations’ playwright Tomson Highway, is different and is filled with laughter, tears, and music. Continue reading Review: The (Post) Mistress (Théâtre Français de Toronto/Pleiades Theatre)
The Stranger is a wholly unique, one-on-one theatre experience in the Toronto area
Do you ever wonder about that person who just passed you on the street? What’s her story? Do you ever eavesdrop on her conversation? Do you ever follow her? Do you ever say something? Do you wish you could? The Stranger (DopoLavoroTeatrale) is a one-on-one immersive and interactive experience that allows and encourages you to do all those things.
It’s also a very hard piece to write about without giving too much away. So I’ll start by saying that it was one of the coolest and most exciting pieces of theatre I’ve seen this year. I highly recommend it. Continue reading Review: The Stranger (DopoLavoroTeatrale)
A multimedia theatre piece explores identity, loss, and family trauma at Toronto’s Ashkenaz Festival
We Keep Coming Back, a multi-media theatre piece, had its Canadian premiere as part of Ashkenaz, the biennial festival of Jewish music and culture held at Harbourfront Centre. While the play depicts a very personal journey, it explores universal themes of identity, loss, and family trauma.
Continue reading Review: We Keep Coming Back (Ashkenaz Festival)