Settle This Thing (playing at the 2018 Toronto Fringe Festival) proposes a revolution in relationship therapy. Here’s the model: marriage is a trap, affection is just chemicals, everything’s about sex (until the sex disappears), and arguing just doesn’t work.
But if arguing doesn’t work, we need a new tiebreaker: a way to Settle This Thing. So on your way in the door, you’ll be presented with a voting paddle, and the show repeatedly asks you to pass judgement. Who won the argument? Who’s in the right? And who has to apologise?
Restless Spirit explores the question of whether or not ghosts exist, and if those who claim to communicate with them are all frauds, bent on exploiting the bereaved.
The audience is taken into a complex realm of dreams and nightmares, where reality blurs and questions of morality take on an importance impossible to handle, to a place where certainty is impossible. The haunting intensity of RAGE AGAINST The Inferno (Jerusalem) makes this show worthy of attention.
The Truth* (playing at the 2018 Toronto Fringe Festival) is a clown play about colonialism. A vast new territory opens up, rich in resources and readily-accessible. We meet the rulers of the four nations jockeying for position, and we explore their motivations and histories, and we get to see what happens when these interests collide.
The result is genre-straddling, drawing on tropes from children’s theatre, melodrama, propaganda and patriotic history in order to suggest new perspectives on old stories.
Settle This Thing (playing at the 2018 Toronto Fringe Festival) proposes a revolution in relationship therapy. Here’s the model: marriage is a trap, affection is just chemicals, everything’s about sex (until the sex disappears), and arguing just doesn’t work.
The 
