Shakespeare BASH’d returns to the Toronto Fringe Festival with their latest salute to the Bard, The Merry Wives of Windsor, playing in the upper decks of the Victory Cafe. Complete with secret identities, misdirection, a randy rotund knight, trickster wives, young love, fake fairies and, of course, a wedding, this spirited rendition of one of Shakespeare’s comedies deserved its sold out audience for the first evening’s performance.
Continue reading The Merry Wives of Windsor (Shakespeare BASH’d) 2015 Toronto Fringe Review
It’s not always easy rocking out at the Toronto Fringe Festival, but Tweed & Company Theatre prove that it’s not impossible with Stalkyard Hurts, a rip-roaring songfest soaking the stage at Lee’s Palace Dance Cave.
Continue reading Stalkyard Hurts (Tweed & Company Theatre) 2015 Toronto Fringe Review
Nicky Guadagni plays seven different women in this one woman show in Toronto
The full house of Theatre Passe Muraille’s Backspace was in great company Tuesday night for the premiere of Hooked. Based on poems by Carolyn Smart, Hooked delves into the lives of seven powerful women, including Myra Hindley, Unity Mitford, Zelda Fitzgerald, Dora Carrington, Elizabeth Smart, Carson McCullers and Jane Bowles, telling their stories from glorious, glamorous beginning to (often enough) unfortunate disappointing demise. These seven women, each carrying their own historical heft, were all gallantly played by one: Nicky Guadagni.
It’s a big burden for one actor to carry, but Guadagni does so with gumption and a mesmerizing stage presence that drew me in as soon as she stepped into the spotlight. Between the awed silence and bursts of laughter, it was obvious that I wasn’t the only one thoroughly enjoying getting well-acquainted with the production’s characters.
Continue reading Review: Hooked (Theatre Passe Muraille)
The Art of Building a Bunker is a hilarious one-man show on social awkwardness on stage at Toronto’s Factory Theatre
In The Art of Building a Bunker, Adam Lazarus and Guillermo Verdecchia explore questions of sensitivity, political correctness and the socially acceptable through the scope of one man’s experience at workplace sensitivity training. This one-man show was previously introduced to the Toronto theatre scene in 2013 at the Summerworks Festival, now bringing a wry, poignant and frequently absurd sense of humour to Factory Theatre’s 45th season.
Lazarus is the “one-man” in question, embodying the tale of Elvis, a guy who has to suffer through the touchy-feely self-reflection of sensitivity training. Elvis can’t stand being there and makes this pretty obvious throughout the whole show through bursts of hilarious improprieties. Aside from Elvis, Lazarus channels the rest of the sensitivity training course participants including the leader, bringing to life a cast of fully realized kooky characters with only the nod of his head or the flick of his wrist.
Continue reading Review: The Art of Building a Bunker (Factory Theatre/Quiptake)
Play Practice’s Circle Mirror Transformation is Mind-Opening and Entertaining
Circle Mirror Transformation, a play performed by the Play Practice Collective in the cozy Bloor Street space of the Storefront Theatre, explores the intersecting lives of five individuals who enroll in a creative drama class for adults. Written by American playwright Annie Baker, the show peers behind the awkward curtain of first encounters, and touches upon the way the people we meet, even for a short time, can have a big effect on our lives.
Continue reading Review: Circle Mirror Transformation (Play Practice Collective)