Shahin Sayadi brings Persian mythology to life in his play, now on stage in Toronto
Persian mythology is brought into modern day storytelling in Asheq: Ritual Music to Cure a Lover. The fully immersive multi-media work is created with boundless cloth and a single performer who takes on multiple roles at Harbourfront Centre Theatre. Created by Shahin Sayadi of Onelight Theatre, the performance explores the struggles of tradition within a small community.
In a small fishing village on the Persian Gulf, Farhad loses the love of his life to childbirth, resulting in a lifetime hatred of his son, Manoo. The son grows up and falls in love with an outcast woman, defying his father’s wishes and disgracing the family name. Believing Manoo must be under the influence of evil spirits, the village elders call for a ‘Zar’ exorcism.
Continue reading Review: Asheq: Ritual Music to Cure a Lover (Onelight Theatre)
Canadian Stage opens 18/19 season in Toronto with introspective, apocalyptic dance
Internationally celebrated choreographer Hofesh Shechter returns to Toronto with a smoke-filled stage and a chaotic world in freefall in Grand Finale at the Bluma Appel Theatre. Grand Finale does not mark his final work, but presents a dreary yet beautiful apocalyptic world.
In this world, dancers are not distressed in a typical end-of-the-world fashion; rather they blankly move through a chaotic realm. Their movements are loose-limbed as they shuffle and shudder around the stage with supple wrists and upturned chests. They hold their mouths open in emotionless, silent screams, or fall lifeless to the ground to be carried, manipulated and dragged around.
Continue reading Review: Grand Finale (Hofesh Shechter)
Older and Reckless is a dance showcase for older dancers in Toronto
Older and Reckless #41 presented at Harbourfront’s Studio Theatre has everything you need, from laughs and love, to downright creepy and dark. The six work bill, curated by Claudia Moore, hosted by Tabby Johnson, is performed by some of the most celebrated older artists – as the company states, made more reckless as time goes by. Continue reading Review: Older & Reckless #41 (MOonhORsE Dance Theatre)
Toronto playwright Chloë Whitehorn’s new play debuts at Alumnae Theatre’s Fireworks Festival
The Pigeon, presented in the Fireworks Festival at Alumnae Theatre, is a new, exciting and daring play for mature audiences. With beautiful relationships between contrasting characters, and a plot for revenge – this play will take you on a rollercoaster ride from start to finish.
Written by Chloë Whitehorn, The Pigeon follows a distressed millennial – Jegger (John Shubat), who befriends an older woman, Malone (Liz Best). Joined by a mutual hatred for Jegger’s mother, they are drawn together in a plot of revenge against her. Malone also acts as a mentor figure to Jegger, as he is about to become a young father, with his partner Amy (Marina Gomes).
Continue reading Review: The Pigeon (Alumnae Theatre)
A Toronto dance company re-imagines Mozart’s The Marriage of Figaro
ProArteDanza beautifully re-imagines ‘The Marriage of Figaro’ (Le Nozze Di Figaro) in Figaro 2.0 at the Fleck Dance Theatre. Taking on the large task of a three-hour opera, award-winning co-choreographers, Roberto Campanella and Robert Glumbek create a gorgeous and witty ninety-minute contemporary dance work.
Figaro 2.0 is based on the comic opera, composed by Mozart in 1786. The story has many twists and turns following misunderstandings, manipulations and infidelities. I highly recommend reading the program synopsis before viewing, as it is helpful with the complex storyline. Although it’s not required as the brilliant design of the show will help you along the way. In short, Suzanna, a servant to the Count, is set to marry Figaro despite her Count’s efforts to seduce her. Meanwhile, Figaro must go to trial over past debts to which the cost is marriage to a different woman, Marcellina. All the while, Suzanna works with the Countess, Rosina, to catch the Count in his infidelities.
Continue reading Review: Figaro 2.0 (ProArteDanza)