All posts by Ilana Lucas

Ilana Lucas has been a big theatre nerd since witnessing a fateful Gilbert and Sullivan production at the age of seven. She has studied theatre for most of her life, holds a BA in English and Theatre from Princeton and an MFA in Dramaturgy and Script Development from Columbia, and is currently a professor of English and Theatre at Centennial College. She believes that theatre has a unique ability to foster connection, empathy and joy, and has a deep love of the playfulness of the written word. Her favourite theatrical experience was the nine-hour, all-day Broadway performance of The Norman Conquests, which made fast friends of an audience of strangers.

Review: Butcher (Why Not Theatre/Butcher’s Block)

Tony Nappo, Andrew Musselman, John Koensgen

Butcher is a “fascinating” dive into unanswerable questions, now on stage in Toronto

Must revenge be a never-ending cycle? Are revenge and justice mutually exclusive, or are they one and the same? What do you do to raise your voice in a world that is bored with suffering? The Theatre Centre, in a co-production with Why Not? Theatre and Butcher’s Block Collective, presents Nicholas Billon’s explosive play Butcher, a thrilling, taut and harrowing 80 minutes of theatre that raises these uneasy, unanswerable questions.

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Review: Baobab (Young People’s Theatre)

Photo of Ralph Prosper, Aboulaye Koné, Mireille Tawfik and Nathalie CoraToronto’s Young People’s Theatre remounts their Dora Award Winning play Baobab

Sometimes, there’s nothing better than sitting back and watching a crowd of kids be enchanted by theatre. Of course, it helps when the show manages to be enchanting to the adults in the audience as well. Baobab, a remount of the Dora Award-winning 2012 production for children 4-8, comes back to the Young People’s Theatre Studio from October 13-23. Watching it, I saw an audience captivated by a combination of skillful puppetry and visuals, lovely harmonies, and a gentle myth.

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Preview: In Search of Cruise Control (James Gangl)

James Gangl in In Search of Cruise ControlCanadian Comedy Award Winner James Gangl brings his hit one-man Edmonton Fringe show, In Search of Cruise Control, to the Second City John Candy Box Stage this weekend. With dramaturgy and direction by Fringe favourite Chris Gibbs, the show is the true story of Gangl’s attempt to give his teenaged nephew the sex talk.

We asked writer and perfomer Gangl a few questions about the upcoming production:
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Review: The Play’s The Thing (Soulpepper)

Photo of C. David Johnson, Greogry Prest and Raquel Duffy

The Play’s The Thing, presented by Soulpepper for the third time in the company’s 17-year lifespan, is a big airy cream-puff of a play; a juicy, over-ripe peach that is nonetheless a treat. Written by Ferenc Molnár (known for Liliom, the basis for the musical Carousel) and adapted in 1926 by P.G. Wodehouse of Jeeves and Wooster fame, it’s not a deep play, but it doesn’t pretend to be. Rather, it’s a play about plays, a delightfully sly send-up of the conventions and form of the well-made play, with a dollop of farce on top. Its references are irreverent, its artifice the most natural thing in the world.

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