the marquise of O- (the red light district), adapted and directed by Lauren Gillis and Ted Witzel for SummerWorks, is loosely based on an 1808 short story by Heinrich von Kleist, filtered through Kant’s ideas on reality and knowledge, and the remix culture of Reddit.
This story, about a widow whose life and honour are saved from an encroaching army by an instantly-besotted count, and who later mysteriously falls pregnant, is both devotedly retold and revised into a modern exploration of how we treat rape, and how belief and rationalization can be tenuous and dangerous things.
Continue reading the marquise of O- (the red light district) 2015 SummerWorks Review
Last night, I reviewed three of the twelve plays being presented at The Social Capital Theatre as part of The Short Short Play Festival. It’s a great idea: present four different groupings of three plays twice each over four nights in a casual setting with a bar.
As the adorable, tiny shorts hanging from a clothesline on the ceiling indicate, these are short works of theatre, twenty minutes tops, that don’t often get to see the stage. After my second night, and having seen half of the festival, I’m inclined to agree that good things come in small packages.
Continue reading Review: The Short Short Play Festival – Cassandra, Table For Two, Salty Bachelors (Social Capital Theatre)
The Short Short Play Festival delivers bite-sized plays on stage in Toronto
The Social Capital Theatre serves up a buffet of short plays in an intimate Toronto setting in The Short Short Play Festival — a perfect evening for those who find hour-long plays to be taxing. It’s snack-size theatre, full of variety; a 20-minute play has to make its point quickly, and leave us with one indelible impression.
Plays of this length rarely get a chance at performance and so an appetizer menu of 12 plays over four days is a treat. As Shakespeare might say, though, they be but little, they are fierce.
Continue reading Review: The Short Short Play Festival – In Frame, The Park, Grow Up Juliet (Social Capital Theatre)
Tell Me. (Obliviate Theatre) promises an open tarot reading; one of us will have our fortune told, and the rest will see how the magic works. Seven of us are crowded into a tiny shed at Toronto Fringe Festival headquarters to see Grace Thompson do her thing. Some are excited, some are skeptical. Continue reading Tell Me. (Obliviate Theatre) 2015 Toronto Fringe Review
I’m not sure if The Dinner Table (Fail Better Theatre) entirely needs a review. There are only twelve seats at this site-specific Toronto Fringe Festival production that promises dinner and a show, with a rotating cast of two storytellers, so the run is a sell-out, save a stray ticket here or there. The two storytellers change every night, so no two shows are at all alike, except thematically. Even dinner, freshly cooked and served to all guests, is different each time. Was my reviewing presence superfluous? Possibly. Am I glad I had a chance to be there? Absolutely. Continue reading The Dinner Table (Fail Better Theatre) 2015 Toronto Fringe Review