Canadian Comedy Award Winner James Gangl brings his hit one-man Edmonton Fringe show, In Search of Cruise Control, to the Second City John Candy Box Stage this weekend. With dramaturgy and direction by Fringe favourite Chris Gibbs, the show is the true story of Gangl’s attempt to give his teenaged nephew the sex talk.
We asked writer and perfomer Gangl a few questions about the upcoming production:
Continue reading Preview: In Search of Cruise Control (James Gangl)
The Play’s The Thing, presented by Soulpepper for the third time in the company’s 17-year lifespan, is a big airy cream-puff of a play; a juicy, over-ripe peach that is nonetheless a treat. Written by Ferenc Molnár (known for Liliom, the basis for the musical Carousel) and adapted in 1926 by P.G. Wodehouse of Jeeves and Wooster fame, it’s not a deep play, but it doesn’t pretend to be. Rather, it’s a play about plays, a delightfully sly send-up of the conventions and form of the well-made play, with a dollop of farce on top. Its references are irreverent, its artifice the most natural thing in the world.
Continue reading Review: The Play’s The Thing (Soulpepper)
Star Trek-inspired improv delivers an “engaging” show for Toronto audiences
Around this time last year, I had never seen a single episode of Star Trek, though as a small child, I’d humoured my friend’s request that I be Dr. Crusher in our playground games. I had no idea what the fuss was about. Now, I’m four episodes away from the end of The Next Generation, having spent more obsessive time with the good doctor, Captain Picard, and Lt. Commander Data than I’d care to admit. To mitigate the horror of finishing the series, I was eager to watch The Dandies perform their latest installment of Holodeck Follies, an improvised Star Trek adventure with songs and special guests.
Continue reading Review: Holodeck Follies (The Dandies)
Site-specific dance show brings performance to Toronto’s front porches
Site-specific shows don’t get more specific than the front porches of your friends and neighbours. That’s the idea behind Porch View Dances, a series of short contemporary dance works developed by Karen and Allen Kaeja of Kaeja d’Dance: it enlists community members and their porches and front lawns, the public-facing aspect of their living spaces.
These brave neighbourhood volunteers perform choreography by professional dance artists. Now in its fourth year, the award-winning show has branched out to Ottawa, Kitchener, and Moncton. It’s very approachable, being run by donation, and takes the audience on a charming walking tour through Seaton Village, a cosy neighbourhood just steps from busy Bathurst and Bloor.
Continue reading Review: Porch View Dances (Kaeja d’Dance)
I’m not good at making noise in public. I’m always the person in a group who gets uncomfortable when the noise level gets too loud, worrying that we are bothering the people around us. So, when I was given a homemade, portable speaker to carry around during Listening Songs: Listening Choir, a Live Art event at the 2015 SummerWorks Performance Festival, my anxiety was heightened and I was initially hesitant to push “play.” There were rewards to be had, though, in being loud and quiet at the same time.
Continue reading Listening Songs: Listening Choir (Christopher Willes and Adam Kinner) 2015 SummerWorks Review
The Hum (A Theatre Gargantua SideStream Cycle with the GzAp Collective), playing at SummerWorks 2015, is a sweet family show about the magic inherent in the natural environment around us. It’s presented by venerable Toronto company Theatre Gargantua, created by and starring Julia Aplin, John Gzowski, and their ten-year-old daughter, Jenny Aplin.
The show was inspired by Jenny’s paintings, and tries to tap into the hum of the Earth. Much like a ten-year-old kid, though, it’s a show that has high aspirations (and a promising opening monologue) but doesn’t quite know what it wants to be yet.
Continue reading The Hum (Theatre Gargantua) 2015 SummerWorks Review
The Unpacking (7th Cousins), playing at SummerWorks 2015, is the culmination of a month-long walking trip undertaken by Erin Brubacher and Christine Brubaker–or perhaps it’s just the first step in a new journey. When it seemed like everyone wanted to know if they were related, they began to joke that they were “7th Cousins.” Turns out that was a misnomer – they may actually be 6th cousins – but as they looked into their heritage, a long voyage by an ancestor from Pennsylvania to Ontario sparked their curiosity.
They wanted to recreate the trek, walk through their own fields, ford their own rivers, scare off their own bears (okay, that last one was more a necessity than a desire). Soon after the idea emerged, the planning began, and they were on their way. They gave themselves a limit of thirty days. Last night they returned home, and The Unpacking began.
Continue reading The Unpacking (7th Cousins) 2015 SummerWorks Review
The Tall Building (It Could Still Happen), now playing at the 2015 edition of SummerWorks, takes place in a building that keeps growing floors. Meanwhile, a city much like our current Toronto (but run by a mysterious “lady mayor”) slowly devolves into a coyote-strewn, apocalyptic wasteland of fire and wind.
In a series of intriguing vignettes, three characters – a closed-off, suspicious woman named Sulla who owns a single pair of magical, fraying pants (Molly Flood); a credulous and sweet 12-year-old boy with absent parents, his own street newspaper, and a 7-11 obsession (Philip Nozuka); and a pompous, ineffectual assassin (Clinton Carew) – reach an uneasy détente as the world outside burns.
Continue reading The Tall Building (It Could Still Happen) 2015 SummerWorks Review
the marquise of O- (the red light district), adapted and directed by Lauren Gillis and Ted Witzel for SummerWorks, is loosely based on an 1808 short story by Heinrich von Kleist, filtered through Kant’s ideas on reality and knowledge, and the remix culture of Reddit.
This story, about a widow whose life and honour are saved from an encroaching army by an instantly-besotted count, and who later mysteriously falls pregnant, is both devotedly retold and revised into a modern exploration of how we treat rape, and how belief and rationalization can be tenuous and dangerous things.
Continue reading the marquise of O- (the red light district) 2015 SummerWorks Review
Last night, I reviewed three of the twelve plays being presented at The Social Capital Theatre as part of The Short Short Play Festival. It’s a great idea: present four different groupings of three plays twice each over four nights in a casual setting with a bar.
As the adorable, tiny shorts hanging from a clothesline on the ceiling indicate, these are short works of theatre, twenty minutes tops, that don’t often get to see the stage. After my second night, and having seen half of the festival, I’m inclined to agree that good things come in small packages.
Continue reading Review: The Short Short Play Festival – Cassandra, Table For Two, Salty Bachelors (Social Capital Theatre)