One for One Collective presents Dora-nominated playwright Michael Ross Albert’s two-handed thriller Anywhere at the Toronto Fringe Festival. A civilized business relationship turns into a tense struggle as two women face-off at an AirBnB. Continue reading Anywhere (One Four One Collective) 2018 Toronto Fringe Review
Trapped in a basement after a global catastrophe, two best friends navigate space and time with the help of music and drugs. This is Life in a Box, a post-apocalyptic bro-mantic comedy presented by Offended Millennial Creations for the Toronto Fringe Festival. Continue reading Life in a Box (Offended Millennial Creations) 2018 Toronto Fringe Review
After Earth is almost destroyed due to climate change, six twenty-somethings are stuck together on a spaceship en route to populate the planet Mars. 2018: A Sex Odyssey, presented by Theresa Ramirez Productions, is a sketch comedy playing at the Toronto Fringe Festival. Continue reading 2018: A Sex Odyssey (Theresa Ramirez Productions) 2018 Toronto Fringe Review
Dusty Dora Productions presents Paula Wolfson’s one-woman musical Judas Star Supersong at the Toronto Fringe Festival. Does the set-up sound familiar? A prophet is believed to be the long-awaited Messiah. His friend and disciple gets caught up in the web of fate as the politics of the day does its dirty work. Betrayal and crucifixion follow. Continue reading Judas Star Supersong (Dusty Dora Productions) 2018 Toronto Fringe Review
Stones is a multi-disciplinary look at a history of violence against women, on stage in Toronto
Stoning is an appalling practice. The cruelty and brutality of it is deliberate; the purpose is not only to kill, but to terrify, torture and humiliate. It is an ancient practice still seen in some parts of the world.
As a response to a long history of violence against women, of which stoning is a particularly horrific exemplification, Aluna Theatre presents Stones—a multi-disciplinary collaboration—to depict the misogyny that fuels that violence. Continue reading Review: Stones (Aluna Theatre)
Harrowing play takes to the Toronto stage
In the b current studio at Artscape Wychwood Barns, Seven Siblings Theatre presents Bryony Lavery’s compelling play about grief and forgiveness—Frozen. In modern day England, ten year old Rhona is found sexually abused and murdered. Circumstances then conspire to draw three characters together: Nancy (the mother of the murdered girl), Ralph (the murderer) and Agnetha (a visiting American psychologist researching violent criminality in men). Continue reading Review: Frozen (Seven Siblings Theatre)
Everything I Couldn’t Tell You delves into the power of culture to heal, at the Theatre Centre in Toronto
Megan is an Indigenous woman who has recently been woken from a coma. The procedure has damaged her brain, unleashing painful memories that drive her to alcohol and sudden, brutal violence.
Can two deeply damaged neuroscientists help her heal? This is the basic dramatic question posed by Everything I Couldn’t Tell You, currently playing at The Theatre Centre as part of the The Riser Project 2018. Continue reading Review: Everything I Couldn’t Tell You (The Riser Project/Theatre Why Not/Spiderbones)
Speaking of Sneaking entices Toronto audiences again as part of The Riser Project 2018
Before the house doors have closed, before anyone has had a chance to settle into their seats, the mischievous and energetic Ginnal is up and about: introducing himself, making sure you have a program, that you’ve gone to the bathroom, that you fully understand that he is—beyond any doubt—the focus of this show and that he demands your full attention.
Part of The Riser Project 2018, Speaking of Sneaking is created and performed by daniel jelani ellis. Based on experiences growing up queer in Jamaica and, later, making a home in Canada, the show has been in development since 2010 when he introduced it as part of the Emerging Creators Unit at Buddies in Bad Times Theatre. Since then, he has presented a version of it for the Rhubarb festival and now, for Riser, he has teamed up with director/dramaturge d’bi.young anitafrika and choreographer Brian Solomon. Continue reading Review: Speaking of Sneaking (The Riser Project 2018/Why Not Theatre)
Toronto’s Canadian Stage presents Caryl Churchill’s play Love and Information
I adore the work of playwright Caryl Churchill. First and foremost, it is provocative on an intellectual level, best appreciated if you’re consciously drawn to the ideas contained in dramatic situations. She favours non-naturalistic devices that prompt the audience to engage—consciously—with the mechanics of theatrical presentation, to examine language and movement, notice patterns and reflect upon them. Because of this, her text can be tricky to sell—emotionally. With masterful precision, Canadian Stage Company’s production of Love and Information allows all the ideas to sizzle and pop with fiery life. Continue reading Review: Love and Information (Canadian Stage Company)
Black Boys is “campy, joyful, and riotous”, on stage at Buddies in Bad Times in Toronto
After a successful nation-wide tour, the 2016 hit Black Boys returns to Buddies in Bad Times Theatre. I never saw the first production, but it certainly left an impression on the theatre scene. All of us who missed it were appropriately disappointed. The Saga Collectif has returned with their exploration of queer male Blackness and, with it, your chance to partake in this dynamic and provocative experience before its two-week run is over. Continue reading Review: Black Boys (Buddies in Bad Times Theatre)