All posts by Mike Anderson

Mike was that kid who walked into the high school stage crew booth, saw the lighting board, and went ooooooooooooh. Now that he’s (mostly) all grown up, Mike keeps his foot in the door as a community-theatre producer, stage manager and administrator. In the audience, he’s a tremendous sucker for satire and parody, for improvisational and sketch-driven comedy, for farce and pantomime, and for cabaret of all types. His happiest Toronto theatrical memory is (re) Birth: E. E. Cummings in Song.

All Our Yesterdays – Toronto Fringe 2015 Press Release

“[A] memory play that is grounded in Ladi and Hasana’s time held captive by Boko Haram.”

All Our Yesterdays

Excerpted from press release:

In July, AnOther Theatre Company will present All Our Yesterdays. A new play written and directed by Chloé Hung, it centers on the kidnapping of the Chibok school girls by Boko Haram in northern Nigeria in April 2014. All Our Yesterdays features Chiamaka Umeh (Hairspray, Into the Woods) and Amanda Weise (Pon Broadway,Soundclash). The play will be presented at the Factory Studio Theatre from July 1st to 12th as part of the Toronto Fringe Festival. AnOther Theatre Company has teamed up with Plan Canada’s Because I Am A Girl campaign making the first two performances of All Our Yesterdays a fundraiser for their global initiative.

All Our Yesterdays follows two sisters. Ladi (Weise) is eighteen and attends Chibok government girls secondary school, and Hasana (Umeh) is sixteen, and is unable to attend school because of her undiagnosed Asperger’s. All Our Yesterdays is a memory play that is grounded in Ladi and Hasana’s time held captive by Boko Haram, and goes back and forth to the events leading up to their kidnapping. The memories move from Ladi’s leaving home for the first time to go attend school, to a devastatingly selfish decision that has tragic results.

On April 14, 2014 Boko Haram kidnapped 276 girls from their school in Chibok, Nigeria. While in recent weeks the Nigerian Army has liberated women and children from several Boko Haram camps, to date the 276 Chibok girls have not been found. Initially, the hashtag #BringBackOurGirls spread quickly and ignited global outrage. A few months later, however, the story of the Chibok girls had disappeared from the media narrative. As a student herself Hung felt compelled to write a piece for these girls, both to keep their story alive, and because their desire to learn was the main reason Boko Haram attacked their school.

All Our Yesterdays began as a short five-minute piece written by Chloé Hung for an assignment at New York University’s Tisch School of the Arts. It was well received which led to workshops of an hour-long play under the supervision of Gary Garrison and Peter Parnell. Hung also conducted extensive research for the play, including speaking with Pablo Idahosa (York University), Wumi Asubiaro-Dada (Voices 4 Change Nigeria), Hadiza Aminu Dorayi (Save the Children Nigeria), and accessing special reports such as Julian Eaton’s advisory report Services available for people with Autism in Nigeria.

In an effort to support Plan Canada’s global initiative, the first two shows of All Our Yesterdays will be a fundraiser for the organization’s Because I Am A Girl campaign. Proceeds from these performances will go towards supporting programs aimed at providing education for girls around the world.

Showtimes:

  • Wednesday, July 1 at 8:45pm
  • Sunday, July 5 at 8:15pm
  • Monday, July 6 at 10:00pm
  • Wednesday, July 8 at 4:00pm
  • Thursday, July 9 at 1:45pm
  • Saturday, July 11 at 9:15pm
  • Sunday, July 12 at 12:00pm

Venue: Factory Theatre (Studio) at 125 Bathurst.

Tickets for all Fringe productions are $10, $12 in advance. Tickets can be purchased online, by phone (416-966-1062, business hours only), in-person from the festival box office located in the parking lot behind Honest Ed’s, (481 Bloor West), or — if any remain — from the venue box office, starting one hour before showtime. (Cash-only.)

The festival offers a range of money-saving passes for committed Fringers; see website for details.

Be advised that Fringe shows always start exactly on time, and latecomers are never admitted.

Photograph of Chiamaka Umeh and Amanda Weise provided by the company.

One Good Marriage — Toronto Fringe 2015 Press Release

“[A] darkly funny journey navigating life post-tragedy”

One Good Marriage

Excerpted from Press Release:

TORONTO, ON: Staircase Theatre presents One Good Marriage, by Sean Reycraft. What do you do when you return from your honeymoon to find disaster has struck in your absence? Critically acclaimed Fringe veterans, Staircase Theatre, bring this newly revised Toronto favourite, which takes the audience on a darkly funny journey navigating life and grief post-tragedy. Join Steph and Stewart for a 1 year anniversary celebration you won’t soon forget. Directed by Jessica Rose, and starring Becky Shrimpton and Matthew Gin, One Good Marriage runs as part of the Toronto Fringe Festival July 2-12, 2015 at the Trinity St. Paul’s United Church.

One Good Marriage, winner of the NOW Magazine award for Outstanding New Play at the 2002 Summerworks Festival, is the grimly funny tale of Steph and Stewart, who have gathered their friends (the audience) together to celebrate their first anniversary. The couple, while finishing each other’s sentences and awkwardly walking the line of socially appropriate/not appropriate, plaintively fill us in on the terrible tragedy that took place shortly after they left their wedding reception, one year ago.

“This wonderfully dark comedy is fringe-style theatre at its finest. It’s too quirky for a main stage, yet gloriously at home on the edge.”-Wendy Burke, Winnipeg Free Press

Sean Reycraft is a Toronto playwright/screenwriter currently living in Los Angeles. His first play, Pop Song, won the 2001 Chalmers Canadian Play Award and One Good Marriage has enjoyed numerous productions across Canada and the United States. TV credits include ‘Switched at Birth’, ‘The Vampire Diaries’, ”Rookie Blue’, ‘Slings & Arrows’ and ‘Degrassi: The Next Generation’. He also adapted the novel ‘Breakfast With Scot’ into feature film of the same name.

“Mr. Reycraft, (…) has a distinctively spare, darkly ironic style; call it Canadian Gothic.” – Jason Zinoman, NY Times

Staircase Theatre is a Vancouver-based, independent theatre company focused on the idea that theatre should stimulate the mind and the soul- with class, charm and polish. They provide intelligent, contemporary theatre and are committed to bringing emerging and established artists together for opportunities to learn and grow. Past shows include AR Gurney’s Love Letters, Peter Sinn Nachtrieb’s Hunter Gatherers, Stewart Lemoine’s Cocktails at Pam’s, Lanford Wilson’s Home Free, Stewart Lemoine’s Evelyn Strange, and Will Eno’s Oh the Humanity! (which will be remounted at the 2015 Vancouver Fringe Festival.)

[…]

Showtimes:

  • July 02 at 07:30 PM
  • July 03 at 07:30 PM
  • July 04 at 07:30 PM
  • July 05 at 07:30 PM
  • July 08 at 07:30 PM
  • July 09 at 07:30 PM
  • July 10 at 07:30 PM
  • July 11 at 02:00 PM
  • July 11 at 07:30 PM
  • July 12 at 02:00 PM
  • July 12 at 07:30 PM

Venue: Trinity St. Paul’s United Church at 427 Bloor West.

Tickets for all Fringe productions are $10, $12 in advance. Tickets can be purchased online, by phone (416-966-1062, business hours only), in-person from the festival box office located in the parking lot behind Honest Ed’s, (481 Bloor West), or — if any remain — from the venue box office, starting one hour before showtime. (Cash-only.)

The festival offers a range of money-saving passes for committed Fringers; see website for details.

Be advised that Fringe shows always start exactly on time, and latecomers are never admitted.

Photograph of Becky Shrimpton and Matthew Gin by Jessica Rose.

Review: The 39 Steps (Gin Soak’d Productions)

39 Steps - by Dahlia Katz -1203 Crop

Run to catch The 39 Steps on stage at the Rear Window Theatre in Toronto

You’ve heard of The 39 Steps, the Hitchcock thriller? Before James Bond was even a twinkle in Ian Fleming’s eye, this story of foreign agents,  dalliances with beautiful women, sinister criminal masterminds and Hitchcock’s greatest MacGuffin thrilled audiences and held them on the very edges of their seats.

The modern staging, developed around 2005 in the UK, keeps it taut and exciting, but adds a heaping dose of irreverence: there are still exotic women, airplane chases, strangers on a train and a dangerous man with a peculiar injury, but everything is played by a company of four actors, working on a stage the size of a postage stamp, climbing over each other to chew the scenery.

When the cast comes at it with loads of energy and chutzpah, it works. And lord, does this Gin Soak’d production work.

Continue reading Review: The 39 Steps (Gin Soak’d Productions)

Review: Morro & Jasp: 9 – 5 (Factory Theatre and U.N.I.T Productions)

Morro and Jasp

Morro and Jasp’s new show 9-5 takes on the world of work at Toronto’s Factory Theatre

Dirty little secret: this was my first-ever Morro and Jasp show. For all their well-loved Fringe-Fest Adventures and Dora-award-winning escapades, the stars have just never aligned. Jeez, I’ve been missing out.

Morro and Jasp: 9-5 will scratch itches you didn’t even know you had, pulling surprisingly hard targets out of unexpected places and consistently nailing them, all in a neatly-wrapped 70-minute package.

And there’s beer, if that’s your thing.

Continue reading Review: Morro & Jasp: 9 – 5 (Factory Theatre and U.N.I.T Productions)

Review: Jekyll & Hyde (Confidential Musical Theatre Project)

jekyll 1

Confidential Musical Theatre Project’s fourth Toronto Production Jekyll & Hyde surprises

The Confidential Musical Theatre Project‘s fourth Toronto production (Jekyll & Hyde) went up and came down back in April, and even if you hate musicals, you would have loved it.

In fact, CMTP is quickly becoming one of my favourite parts of the Toronto theatre scene. They take a show that they’ve always wanted to do, they cast every role based entirely on technical skill — so long as they’ve got the voice for it, nobody is too old to play Maria, too fat to play Hope Cladwell, or too male to play Anne of Green Gables — and they dispense with the conventional rehearsals, skipping straight ahead to opening night. Continue reading Review: Jekyll & Hyde (Confidential Musical Theatre Project)