All posts by Samantha Wu

Samantha is both a writer and a fan of the arts and has been able to find numerous ways to pair the two. Aside from being an editor here at Mooney on Theatre, she's a photojournalist for Been Here Done That, a travel, dining and tourism blog that focuses on Toronto and abroad and previously for  Lithium Magazine, which got her writing and shooting about everything from Dave Matthews Band to Fan Expo. She's passionate about music, theatre, photography, writing, and celebrating sexuality -- not necessarily in that order. She drinks tea more than coffee, prefer ciders over beers, and sings karaoke way too loudly. You can follow her on various social media including Facebook, Twitter, and Instagram.

Review: Innocence Lost: A Play About Steven Truscott (Soulpepper)

Soulpepper Theatre brings the infamous case of Steven Truscott to the Toronto stage

A 14-year-old boy offers a 12-year-old girl a ride on his bicycle. Later on he is arrested, charged with murder, and sentenced to hang. Soulpepper presents Innocence Lost: A Play About Steven Truscott written by Beverley Cooper, playing at the Young Centre for the Performing Arts, about a case that left Canadians shocked for decades to come.

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Review: The Best is Yet to Come Undone (Second City)

Second City brings their latest main stage sketch comedy revue to Toronto audiences

Second City launched their latest revue for the spring and summer and their team of talented and immensely funny improv comedians are excited to keep Toronto laughing. The Best is Yet to Come Undone is a hilarious night of culturally relevant, timely, and, well, woke sketch comedy that will leave you cackling in your seats and eager to tell your friends. A healthy dose of audience participation means no two shows will ever be exactly the same.

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Review: An American in Paris (Mirvish)

Mirvish Productions presents a new musical adaptation of the movie to the Toronto stage

As a fan of musical theatre classics, this upcoming season for Mirvish is going to be an exciting one as they’re bringing back classics like Phantom of the Opera and Chicago to the Toronto stage. Currently, Tony Award-winning choreographer Christopher Wheeldon, along with playwright Craig Lucas, have brought An American in Paris  to the Princess of Wales Theatre, dazzling audiences with timeless songs by George and Ira Gershwin along with and dance numbers that will surely leave you in awe.

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Review: The Monument (Factory Theatre)

The Monument is “haunting, “painful”, “beautiful”, and “vitally important” on stage in Toronto

When Nina Lee Aquino, Artistic Director of Factory Theatre, presented her opening night speech for The Monument she said that Factory Theatre is becoming known for bringing new life to Canadian plays. With the work they’ve done with staging The Monument by Colleen Wagner, a play that originally was shunned and despised by critics, it’s abundantly clear that Factory Theatre is giving life to Canadian plays that need to be seen, especially now when the number of missing and murdered Indigenous women is at an all time high.

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Review: Idomeneus (Soulpepper)

The Soulpepper team brings Idomeneus to the Toronto stage with visually stunning staging

Idomeneus, written by Roland Schimmelpfennig and translated by David Tushingham, now the latest Soulpepper production on stage at the Young Centre for the Performing Arts, is an intensely mesmerizing hybrid of spoken word and movement set to a stunning cinematic backdrop. It’s a captivating tale brought to life by a chorus that fully embodies the script at hand. But, for me, the visuals are what had me sold.

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