It’s yet another hot evening in the city; one of those evenings where I can feel my face drip as I walk. Not fun. So I’m very appreciative of a theatre venue (namely the Bread and Circus) where I can enjoy an icy beer and a play at the same time. The play in question is Babel Rap written by John Lazarus and directed by Emilio Vieira. Continue reading Review: Babel Rap (Speakeasy Productions)
The Fringe Festival is coming into its last day and as I head out to my final show for the season (a late show to boot) I’m hoping it’s a performance I’m going to enjoy. What I mean is, I’m tired and I really need to have fun so I can keep going! Bil Antoniou’s Operation Impervious was just that. Continue reading Operation Impervious (Skinny Jo Productions/Port Moresby Productions) 2011 Toronto Fringe Review
I’m going to start by saying I can’t be unbiased in this review. There’s not much for me not to like in Jeff Jones’ The Last Rock N’ Roll Show, especially as a writer who counts one of her favorite moments in life as the day she won tickets to see Rammstein four hours before the show. Am I typing with my right hand while my left hand curls into metal horns at the memory? Yes. Continue reading The Last Rock N’ Roll Show (Charcoal Sketch Productions) 2011 Toronto Fringe Review
Bordeaux is a melodic clash of period drama, romantic comedy, queer play, political commentary and domestic tragedy combined and yet, in a way, it is none of the above. Continue reading Bordeaux (Pathos Theatre Company) 2011 Toronto Fringe Review
I love So You Think You Can Dance. There’s my confession for the day. I love the combination of movement and expression with passion, commitment, heart (and I’m starting to sound like Mary Murphy, but there will be no hot tamales in this review) that creates dance. I love expression through dance, so when I read about The 5th Element dance performance; I had to experience it for myself. Continue reading The 5th Element (Catalyst) 2011 Toronto Fringe Review
Once upon a time, that girl Cinderella married the Prince, shacked up with him in his big castle while owning a series of other houses out in the country, employed a massive staff that included dress-makers, hairstylists, makeup artists, masseuses, plastic surgeons, cooks, and drivers – and left her two stepsisters and stepmother in the dust. And then what happened?
Ivana Matuzovic explores what lies in Happily Ever After for both Cinderella and her stepfamily in Cinderella Afterparty, an innovative spoken word and movement performance directed by Andreja Kovac.
Continue reading Cinderella Afterparty (Poetry in Motion) 2011 Toronto Fringe Review
The Mistress’ Boyfriend is a provocative story of sex games, murder, deceit and mayhem in a dark melodramatic comedy playing at the Theatre Passe Muraille. A bible publisher (DeeJay Dayton) has an affair with an anarchist hooker (Amanda Petryschuk) while her ex-con boyfriend (Oliver Georgiou) is sleeping with the publisher’s thrill-seeking wife (Mandy May Cheetham). One uses the other while betraying someone else. Continue reading The Mistress’ Boyfriend (presented by Quondam Dreams) 2011 Toronto Fringe Reviews
What happens when a meteor the exact size and shape of Hamilton crash lands into Hamilton? You call on the many celebrities that love the city (for their ability to film there for cheap) to help with a telethon. And Brian Froud.
Brian Froud is a one man comedic machine. With a background in voice acting and a love for his Hamilton hometown, he’s created a show that allows him (just him) to mimic and mock all those celebrities you love to love or love to hate. Continue reading Brian Froud’s One Man Celebrity Disaster Relief Charity Benefit Awareness Telethon…Show (Brian Froud Productions) 2011 Toronto Fringe Review
Mark Sepic’s O. C. D. is one man, Mark, on a small and intimate stage surrounded by a mismatched array of made, found, and fixed instruments, wires, pedals and his laptop hooked up to a projector. He plays for a small crowd – the focus being his OCD, Obsessive Creative Disorder, and the results of such a disorder. You are in for an hour of quirky and fun music. Continue reading Mark Sepic’s O.C.D. (Obsessive Creative Disorder) 2011 Toronto Fringe Review
When you dream at night, are your dreams created by your subconscious? Are they your dreams to keep or are they owned and filed away by a Ministry? And if your dreams are stored in some cosmic database, can you search the files for someone you’ve lost? This is Mary’s quest in Hushabye, a Blood Orange Theatre production written by Anna Standish and directed by Sarah Miller-Garvin. Continue reading Hushabye (Blood Orange Theatre) 2011 Toronto Fringe Review