All posts by Samantha Wu

Samantha is both a writer and a fan of the arts and has been able to find numerous ways to pair the two. Aside from being an editor here at Mooney on Theatre, she's a photojournalist for Been Here Done That, a travel, dining and tourism blog that focuses on Toronto and abroad and previously for  Lithium Magazine, which got her writing and shooting about everything from Dave Matthews Band to Fan Expo. She's passionate about music, theatre, photography, writing, and celebrating sexuality -- not necessarily in that order. She drinks tea more than coffee, prefer ciders over beers, and sings karaoke way too loudly. You can follow her on various social media including Facebook, Twitter, and Instagram.

Review: The Brothers Size (Soulpepper)

Soulpepper Theatre presents a play by Academy Award winner Tarell Alvin McCraney in Toronto

Soulpepper Theatre presents The Brothers Size, currently on stage at the Young Center for the Performing Arts, an intimate and hypnotic exploration into brotherhood paired with Yoruban orishas. Written by Tarell Alvin McCraney, Academy Award winner for his screenplay for Moonlight, and directed by Mumbi Tindyebwa Otu, this performance combines live music, ritual, and the characters’ highly nuanced relationships making for a magical experience. Continue reading Review: The Brothers Size (Soulpepper)

Review: Walking on Bombshells (The Second City)

Toronto’s Second City presents their spring main stage revue

The comedic masterminds at Second City are back with their latest spring main stage revue, Walking on Bombshells. Known for top notch and highly physical sketch comedy, this new collection of sketches is relevant, politically charged, and fuelled with all things Toronto that you can practically hear the TTC chimes in the distance.

Continue reading Review: Walking on Bombshells (The Second City)

Review: Unsafe (Canadian Stage)

Sook-Yin Lee presents a visceral exploration on censorship in art, at the Berkeley Theatre in Toronto

Unsafe, on stage now at the Berkeley St Theatre, is a rather unique theatrical experience. Told in a documentary style format, this performance features multimedia artist, filmmaker, former MuchMusic VJ and host of CBC Radio One’s Definitely Not the Opera, Sook-Yin Lee in a candid and revealing exploration of censorship in art. To say that this show is edgy and provocative barely scratches the surface. And yet, beneath the surface, what remains is convoluted.

Continue reading Review: Unsafe (Canadian Stage)

Review: Prince Hamlet (Why Not Theatre presented by Canadian Stage)

Why Not Theatre and Canadian Stage presents an ASL integrated Prince Hamlet in Toronto

Why Not Theatre along with Canadian Stage presents a version of Shakespeare’s Prince Hamlet, playing at the Berkeley Street Theatre, unlike any you’ve likely seen before.  Directed by Ravi Jain and integrating ASL seamlessly into the performance along with gender bent characters, this version of the Bard’s classic is jagged around the edges and very provocative. It’s simply stunning to watch.

Continue reading Review: Prince Hamlet (Why Not Theatre presented by Canadian Stage)

Review: The Tashme Project: The Living Archives (Factory Theatre)

The Tashme Project: The Living Archives explores life in Japanese internment camps, on stage in Toronto

The Tashme Project is a movement bringing to light a part of Canadian history that has been often been kept in the dark; a part of our heritage not often taught in schools. Tashme was one of 14 internment camps in British Columbia used to house Japanese Canadians during the Second World War. The camp spanned over 1200 acres of land and housed over 2600 people. The internment camps were part of Canada’s response to Japan’s attack on Pearl Harbor in Hawaii and their declaration of war against the United States, Canada, and Great Britain; the required registration and hard labor used as a means of locating potential spies.

The Living Archives, playing at the Factory Theatre, is a collection of stories and memories of the Nisei, second generation Japanese Canadians who would now be in their 70s and 80s but were children at Tashme. These are their stories and what they remember of their parents’ lives during those times and the resettlement post war.

Continue reading Review: The Tashme Project: The Living Archives (Factory Theatre)