Cyrano de Bergerac, Edmond Rostand’s classic romantic tragedy of false identity, is given a truncated treatment by The Leslieville Players at the 2019 Toronto Fringe Festival. A deeply proud man, with a famously long nose, desires a woman. He’s brilliant in battle and with words, but she falls for a simpler man with a beautiful face. Heartbroken, he agrees to provide the words for the other man’s wooing. The story is probably familiar: the setting is not.
I love site-specific shows that work despite and because of their limitations, and this production of Cyrano is a winning use of the form. This is a relaxed production that doesn’t take itself too seriously, yet still largely delivers a self-assured theatre experience. The audience sits under a small tent on the front lawn of 74 Jones Avenue, near Dundas. Fringe Hot Tip for Hot Days: Sit in the middle row if you can; the sun encroaches on the front row, and the back row has a tent-obscured view of the balcony, which features in a few key scenes. Jumbo freezies are also provided gratis, a very nice touch. Audience members can move, take pictures, or talk if desired, but nobody was distracted enough to speak, other than cheering.
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