Buckle My Shoe – Toronto Fringe 2015 Press Release

“This all-woman powerhouse team brings it to this year’s Fringe. Buckle up for Buckle My Shoe.”

Buckle my Shoe

Excerpted from Press Release:

Forty-eight year-old Emma can’t sleep. A deep, passionate, explosive thirty-year secret must be confessed. Or not. Eighteen year-old Emma can help. Or does she need help herself? Only one woman can decide. Two playwrights. Two actors. One character. Buckle My Shoe.

Buckle My Shoe is co-written by award-winning veteran playwright Alexis Bernier (Theatre Ontario’s Playwrights Showcase Award) and newcomer Nastasia Pappas-Kemps (International Scholastic Arts and Writing Awards). The show stars Gina Clayton (Odyssey 5, I Was a Sixth Grade Alien, Patti and Degrassi: The Next Generation) and Lily Scriven (Billy Wigglesticks – Paprika Festival 2014) and is directed by Anna Pappas, Artistic Director of Ergo Arts Theatre (Antigone, If, Ithaca and The Odyssey Project).

Ergo Arts began in the mid 90’s as skazmos theatre. Its work in Toronto’s independent theatre community has spanned two decades, and includes the development of new Canadian plays and musicals, original adaptations of ancient classics, a reading series of modern classics, Theatre for Young Audiences, and experimental bilingual works (in Greek and English) using the writings of popular and classic Greek writers. The company has worked with many of Canada’s finest theatre talent, including Martha Henry, RH Thompson, Diana Leblanc, David Fox, Barbara Gordon, Oliver Dennis, Janet-Laine Green, John Bourgeois, Maria Ricossa, John Gilbert, David Gardner and director Sue Miner, to name a few.

Anna Pappas, Gina Clayton and Alexis Bernier have worked together many times. Their 2002 production of Breaking Character garnered the Patron’s Pick at the Toronto Fringe Festival. NOW Magazine’s Jon Kaplan called it, “One of the richest, most subtle scripts and performances at this year’s Fringe.” The three revive their decades-long collaboration with Buckle My Shoe – only this time, they’re adding two emerging artists to their group: Nastasia Pappas-Kemps and Lily Scriven. What unfolds is sure to be electric.

This all-woman powerhouse team brings it to this year’s Fringe. Buckle up for Buckle My Shoe.

Showtimes

  • July 02 at 08:15 PM
  • July 04 at 11:30 PM
  • July 05 at 09:15 PM
  • July 07 at 01:00 PM
  • July 08 at 06:00 PM
  • July 09 at 01:45 PM
  • July 11 at 01:45 PM

Tickets for all Fringe productions are $10, $12 in advance. Tickets can be purchased online, by phone (416-966-1062, business hours only), in-person from the festival box office located in the parking lot behind Honest Ed’s, (481 Bloor West), or — if any remain — from the venue box office (cash-only), starting one hour before showtime.

The festival offers a range of money-saving passes for committed Fringers; see website for details.

Be advised that Fringe shows always start exactly on time, and latecomers are never admitted.

Photograph of (L -> R) Lily Scriven and Gina Clayton by Georgia Kirkos.

Quarter Life Crisis: The Musical – Toronto Fringe 2015 Press Release

“Join Lenora’s adventures through therapy, hookups, and finding hope despite life’s challenges.”

Quarter Life


Excerpted from Press Release
:

Quarter Life Crisis the Musical is a tale of graduating in the era of unemployment, insecurity, and…Facebook. Join Lenora’s adventures through therapy, hookups, and finding hope despite life’s challenges.

Quarter life crises seem to be the theme of the millennial generation. Over 70 people applied to be involved with this production, many citing that they identified strongly with the themes in the musical. Song titles include: “I’m in Love with the Internet”, “I’ve Moved Back Into My Parents House”, “I’m in Love With My Therapist”, and more.

Playwright Jennifer Turliuk wrote one of Forbes Greatest Hits, and has also written for Venturebeat, Strategy Magazine and more. She wrote a 10-minute version of this musical which was in InspiraTO (Canada’s largest 10-minute play festival) in 2014. Composer and MD Lee Cohen is Musical Director at Second City who won the 2012 Shaw Festival Ragtime Piano contest.

Actor James Cheng performed in the 2010 Toronto Fringe with Asiansploitation as a writer/actor/singer and the troupe received Patron’s Pick and ‘Just for Laughs, Best Comedy of the Toronto Fringe’.

Showtimes

  • July 01 at 08:15 PM
  • July 04 at 05:15 PM
  • July 06 at 01:00 PM
  • July 07 at 06:30 PM
  • July 08 at 03:30 PM
  • July 10 at 09:15 PM
  • July 12 at 12:00 PM

Tickets for all Fringe productions are $10, $12 in advance. Tickets can be purchased online, by phone (416-966-1062, business hours only), in-person from the festival box office located in the parking lot behind Honest Ed’s, (481 Bloor West), or — if any remain — from the venue box office (cash-only), starting one hour before showtime.

The festival offers a range of money-saving passes for committed Fringers; see website for details.

Be advised that Fringe shows always start exactly on time, and latecomers are never admitted.

Playlistings in Toronto for the Week of June 22, 2015

Shows That Caught Our Eye This Week

This week in Toronto theatre brings you a mix of one-person performances, tales based on various historical events, movement, Queer Pride programming, and the LuminaTO festival. I’ve highlighted the shows that our editor Mike would love to see this week in red text. Perhaps they’ll also strike your fancy, or you may find something else that’ll tickle your interest. Continue reading Playlistings in Toronto for the Week of June 22, 2015

Review: Lot and His God (Desiderata Theatre Company)

Toronto’s Desiderata Theatre brings a biblical tale to an intimate al fresco setting

lot“Nothing spoils sin, like giving it permission,” posits Howard Barker‘s Lot and His God and the Desiderata Theatre Company’s production, currently running at Toronto’s Citizenry Cafe, plays with this proposition to great result.

The play is set against the impending destruction of Sodom – of biblical fame – and concerns the fate of Lot and His Wife, here named Sverdlosk, as the Angel Drogheda implores them to leave or face certain death. Continue reading Review: Lot and His God (Desiderata Theatre Company)

Review: Between Contentions and How to Overcome the Great Tiredness? (Luminato Festival)

 

Celebrated Brazilian dancer Eduardo Fukushima dazzles audiences at the Toronto Luminato Festival

Hailing from Brazil, Eduardo Fukushima brings two of his celebrated solo dance pieces in an hour-long performance with Between Contentions and How to Overcome Great Tiredness?. This double bill of dance is a part of Luminato Festival’s 7 Monologues. Joined together, the two pieces create a series of intriguing contrasts.

Continue reading Review: Between Contentions and How to Overcome the Great Tiredness? (Luminato Festival)