Fantastic Extravagance – Toronto Fringe 2014 Press Release

From Press Release

The Steady State Theatre Project Presents Fantastic Extravagance at the 2014 Toronto Fringe Festival.

Eden Montgomery – a Toronto-based, self-loathing novelist – is being haunted.

Written by emerging playwright Lara Stokes, Fantastic Extravagance, which was short-listed for the 2014 Toronto Fringe new play contest, follows the struggle of an up-and-coming author as she battles fame. Eden’s book has become a misunderstood best-seller and, while the public is marveling at her ironic genius, she is determined to take back her book.

And through it all, Eden is being haunted by Poppy, her novel’s protagonist whom she killed off… Maybe she shouldn’t have…

The Steady State Theatre Project has been working with Lara Stokes on developing this play through its programming over the last two years, and is so excited to bring this hilarious gem to the Fringe, which be directed by Maya Rabinovitch (Don’t Look, I Will Not Hatch!) and will feature Lindsey Clark (Scheherazade, Post Eden) and Jon Blair (The Sketchersons, Sunday Night Live).

“Fringers will love Fantastic Extravagance. This play’s hilarious self-deprecation matched with its connection to the very audiences and artist who attend the Fringe in Toronto is sure to have them rolling in the aisles.” Says director Maya Rabinovitch. “I’m so glad to have the chance to help young artists churn out new works like this through my company (Steady State).”

Steady State has been well-known to Fringes across Canada with productions like I Will Not Hatch! (Outstanding Director/Ensemble/Production – NOW Magazine’s Fringe Wrap), Reflections on Giving Birth to a Squid (Best of Fest – Edmonton Journal, Best Original Production, honourable mention – Montreal Fringe/Centaur Theatre), and Double Double (FOUR STARS – NOW Magazine). Roger Levesque of the Edmonton Journal said of Steady State’s 2012 show, “My fondest memory from last year’s Fringe… I can’t recall ever laughing so hard at the Fringe…” Fantastic Extravagance is sure to be another Fringe success for this young company.

Venue: Randolph Theatre – 736 Bathurst St.

Dates: July 3 @ 7:00pm, July 4 @ 11:00pm, July 6 @ 5:15pm

July 8 @ 5:00pm, July 10 @ 12:00pm, July 11 @ 9:15pm, July 13 @ 1:45pm

Tickets: $10 – visit www.FringeToronto.com or call (416) 966-1062

http://steadystatetheatre.com

Review: Cockfight (Theatre Brouhaha and Red One Theatre Collective)

Cockfight explores the relationship between three foster brothers on stage at the Storefront Theatre in Toronto

When I walk into The Storefront Theatre, just before Cockfight starts, I am hit with the vibrating hum that has become Red One Theatre’s coveted home.

As the audience filters into the theatre space, beers in hand, I see that this show won’t just be theatre-in-the-round; it will be theatre-in-the-ring! A cockfighting ring, that is: with a white circle painted on the ground, posts surrounding it, and beer cans scattered everywhere.

Continue reading Review: Cockfight (Theatre Brouhaha and Red One Theatre Collective)

Review: Kate and Sam Are Not Breaking Up (Cue6)

The dynamics of fan culture are explored with great performances in this Toronto indie theatre production

The Cue6 production of Kate and Sam Are Not Breaking Up is an excellent production of an underwhelming play. The stellar cast and creative team are deeply underserved by Joel Kim Booster’s unbalanced and unfortunately familiar script.

Continue reading Review: Kate and Sam Are Not Breaking Up (Cue6)

Review: Kontakthof (Luminato Festival)

Kontakthof image resized

Tanztheatre Wuppertal Returns to Toronto with the Triumphant Kontakhof

I could feel the anticipation from the audience before the sold out show began. It’s been 30-years since the legendary Pina Bausch’s Tanztheater Wuppertal has performed in Canada. Finally, on the 40th anniversary of Tanztheater Wuppertal, Luminato Festival brought them back to show us one of Bausch’s most memorable productions, Kontakhof.

Pina Bausch was one of the first to introduce theatre in dance. Her choreography spoke to the human spirit as she stripped away the layers of pretense and got down to talking about what’s real. First staged in 1978, Kontakhof touched on the relationship between the sexes and the deep desire to be loved. The performers were first introduced as individuals, not really connecting with each other but humorously walking to the front of the stage to show the audience their profile and their teeth!

Continue reading Review: Kontakthof (Luminato Festival)

52 PICK UP – Toronto Fringe 2014 Press Release

From Press Release

The Howland Company presents…

By: TJ Dawe & Rita Bozi
Directed by: Courtney Ch’ng Lancaster
& Paolo Santalucia

July 2nd – July 13th, 2014 at The Tarragon Theatre in association with The Toronto Fringe Festival

TORONTO (April 17th, 2014) – The Howland Company is proud to announce its inaugural production and Toronto premiere of 52 PICK-UP in association with The Toronto Fringe Festival.

52 cards. 52 scenes. 1 complicated relationship.

In a blend of sharp writing and improvisation 52 PICK UP swerves from romantic comedy to heartbreak at the drop of a card, as two people navigate through their relationship. How it works: 52 scene titles are written on an ordinary deck of playing cards. At the top of each show two actors toss the cards in the air and the story unfolds in the order in they are picked up. No two shows will ever be the same!

Award winning playwrights, TJ Dawe (Medicine, The F Word/What if?) and Rita Bozi (Trouser Parts, Bloodline), highlight the hysterical and heartbreaking truth about falling in love in this 75-minute show.

Directed by Courtney Ch’ng Lancaster & Paolo Santalucia (both recently seen in Soulpepper Theatre’s Idiot’s Delight and Of Human Bondage), 52 PICK-UP features an exciting alternating cast including; Alex Crowther, Ruth Goodwin, James Graham, Cameron Laurie, Adrian Morningstar, Hallie Seline, and Kristen Zaza.

About The Howland Company:

The Howland Company is a Toronto-based theatre ensemble made up of twelve artists. Our curiosity is in stories that impact our generation. Through our own development as an ensemble and by bringing people together through workshops and readings, we seek to build a community ready to take on tomorrow’s challenges.

Bi-weekly, The Howland Company hosts an open event called The Reading Group, where artists are encouraged to connect with fellow members of the Toronto theatre community and discover new plays together.

For more information about The Howland Company or The Reading Group check out

www.howlandcompanytheatre.com