Harvey & the Extraordinary (tilt/shift theatre) 2018 Toronto Fringe Review

Photo of Eliza Martin in Harvey & the Extraordinary

Harvey & the Extraordinary takes place in Mimi’s garage and is produced by tilt/shift theatre playing at the Toronto Fringe Festival as an off-site performance.

As a must-see, I really don’t want to give too much away. Eliza Martin’s portrayal of Mimi, also known as The Extraordinary, is enchanting and whimsical. Yet, Martin captures Mimi’s vulnerable childhood with integrity and depth of feeling. Continue reading Harvey & the Extraordinary (tilt/shift theatre) 2018 Toronto Fringe Review

And then…she did! (With Whit and Whimsy) 2018 Toronto Fringe Review

Photo of Joseph Zita, Alene Degian, and Jonathan Shaboo in And then...She DId!

And then…she did!, where “no dreams are too big”, is produced by With Whit and Whimsy and is playing at the Toronto Fringe Festival as part of KidsFest.

A very upbeat and energetic show, And then…she did! focuses on something most children can relate to but often don’t have the most positive feelings about — what do they want to be when they grow up?

Continue reading And then…she did! (With Whit and Whimsy) 2018 Toronto Fringe Review

Be a Good Girl (Wandering Well Productions) 2018 Toronto Fringe Review

Poster for Be a Good Girl

Be a Good Girl is a semi-comic musical play by Adina Katz and Wandering Well Productions. It is performing for the 2018 Toronto Fringe Festival at the Annex Theatre.

This piece makes use of musical numbers, storytelling, film, and satire to talk about Katz‘ experience with sexual assault, as well as broader problems about the expectations placed on women in society. She tells her own story in detail. Despite the otherwise light and funny tone, it a vulnerable show.

Continue reading Be a Good Girl (Wandering Well Productions) 2018 Toronto Fringe Review

Thousand Beginnings (Under The Umbrella) 2018 Toronto Fringe Review

Photo of Gulce Oral and Jewels Krauss in Thousand Beginnings.

Thousand Beginnings is a piece of performance art that combines intensely physical choreography, philosophical poetry, and visually dazzling prop work into happenings about the expectations of femininity a woman needs to shed to find peace. It’s a substantive debut from Under The Umbrella  and a challenging addition to the Toronto Fringe that will leave plenty to ponder after the curtain falls.

Continue reading Thousand Beginnings (Under The Umbrella) 2018 Toronto Fringe Review