I love dance. So I was very excited to see Point of View Dance Project’s Wireless Connection at the Toronto Fringe Festival. I was not disappointed. Choreographers Kylie Thompson and Amy Adams have created a piece that comments on the need for connection in a digital world.
Continue reading Wireless Connection (Point of View Dance Project) 2016 Toronto Fringe Review
Blind to Happiness by Tim C. Murphy was the third performance I have attended at the Toronto Fringe Festival. It was also the most traditional, realistic drama I have seen so far. There are no clowns or zombies. No magic.
Continue reading Blind to Happiness (Tim C. Murphy) 2016 Toronto Fringe Review
When I picked up my ticket for Alex Eddington’s Life List at the Toronto Fringe Festival from the tent outside of the Randolph Theatre, I wasn’t sure what to expect. All I knew was that it had something to do with birdwatching. From there I was directed to continue walking past Markham Street and look for the rest of the group. A few metres later, I met up with Alex and the other participants who had already gathered. Continue reading Life List (Acky-Made) 2016 Toronto Fringe Review
I was a little nervous before attending my first ever Toronto Fringe Festival performance. But I should not have worried. Even though I went to the show alone, Keith Brown’s engaging Lil Theatre Co production, Absolute Magic, at the 2016 Toronto Fringe Festival felt like being at great party with good friends. I found myself laughing and smiling the whole time. Continue reading Absolute Magic (Keith Brown) 2016 Toronto Fringe Review
Rose Upon The Blood is an Enthralling, Affecting Play
The 1916 Easter Rising was a violent episode in Ireland’s history which saw the deaths of almost 500 people, half of them civilians. Through a mixture of live music and powerful acting, Flush Ink Productions‘ A Rose Upon the Blood by Paddy Gillard-Bentley evokes the passion, struggle, and loss of that time. Continue reading Review: A Rose Upon the Blood (Flush Ink Productions)