All posts by Allison Gerson

Review: Caminos 2019 (Aluna Theatre/Native Earth Performing Arts

Photo of Ghenoa Gela in Mura Buai (Everyone Everyone)Multidisciplinary performance festival opens with engaging dance and movement

Caminos 2019 is a multidisciplinary performance festival jointly produced by Aluna Theatre and Native Earth Performing Arts at Aki Studio, which highlights Latinx, Indigenous, and diverse communities. The works presented are often new experiments which later go on to full production elsewhere. I attended the opening night of the festival and saw Mura Buai (Everyone Everyone), an improvisational dance performance featuring three Indigenous performers and four Torres Strait Islander performers in collaboration. I wasn’t sure what to expect going in, but I ended up really enjoying myself. Continue reading Review: Caminos 2019 (Aluna Theatre/Native Earth Performing Arts

Review: Anne (Guild Festival Theatre)

Photo of Claire Boudreau and Michael McLeister in Anne

Guild Festival Theatre Brings Canada’s Favourite Literary Redhead to Life

Are you looking to enjoy an evening of theatre in a beautiful park setting? Luckily, Toronto has many opportunities for just such an evening. One you might not know about is Anne, currently presented by Guild Festival Theatre at Guild Park and Gardens in Scarborough. It might not get as much attention as some larger productions. But this adaptation of L.M. Montgomery’s novel Anne of Green Gables, with script by Paul Ledoux, is definitely worth the trek to the east side of the city. Continue reading Review: Anne (Guild Festival Theatre)

Review: Porch View Dances (Kaeja d’Dance)

photo of Porch View Dances 2019PhPorch View Dances celebrates the love of dance in one of Toronto’s vibrant communities

I had heard about Porch View Dances for a number of years, so when the opportunity to review it came up, I jumped at it. This is the eighth summer that Kaeja d’Dance has presented Porch View Dances in Seaton Village. The event has clearly become a beloved local tradition. It’s a fun relaxed and very accessible celebration of art and community and a great way to spend an evening. Continue reading Review: Porch View Dances (Kaeja d’Dance)

Review: Lot X (adelheid/Harbourfront Centre/DanceWorks)

Photo of Alana Elmer, Nimikii Couchie, Naishi Wang, and Lukas Malkowski in Lot XHarbourfront Centre presents a futuristic and immersive dance experience in Toronto

As I got off the streetcar at Harbourfront Centre to see Lot X, a co-production with DanceWorks, I wasn’t sure what to expect. Lot X is choreographed by Heidi Strauss of adelheid and is part of the Torque contemporary dance series, so I thought it would be a dance performance. But I’d been warned to dress for the weather, be prepared to move, and to download an augmented reality app which would add another layer to my experience. We were ready for anything. Fortunately, the seemingly unrelenting rain and drizzle that has been May in Toronto held off for the evening. And Lot X did in fact deliver a little bit of everything. Some parts really did not work for me, but others were innovative and hauntingly beautiful.

Continue reading Review: Lot X (adelheid/Harbourfront Centre/DanceWorks)

Review: Too Good To Be True (VideoCabaret)

Photo of Ryan Cunnigham, Cheri Maracle, and Patti Shaughnessy in Too Good To Be True VideoCabaret debuts a new play by Cliff Cardinal in their new venue in Toronto

Too Good To Be True is a new play written and directed by Cliff Cardinal and produced by VideoCabaret. The play is a darkly comic exploration of family relationships, the power of storytelling, and what it means to have a home. Fittingly, it is performed in VideoCabaret’s new home at 10 Busy Street. It’s a short wild ride of just over an hour with some very funny moments and some very strong performances. Continue reading Review: Too Good To Be True (VideoCabaret)