S. Bear Bergman has great faith in the power of theatre to make change, and has been putting his money where his mouth is on that one for some time. A writer, performer, and lecturer, Bear works full time as an artist and cultural worker and loves to see as much live performance as possible – making this a fantastic gig for him.
Salvatore Antonio’s play S h e e t s explore’s intimacy at Toronto’s Theatre Centre
Despite the buzz about “Naturist Appreciation Night” on Saturday, I saw S h e e t s. with my clothes on, as did the rest of the audience at Theatre Centre. S h e e t s. (yes, that’s the title) is, according to the program, a play about many forms of intimacy in a single hotel room and there was, as advertised, a lot of nakedness and specifically erotic/sexual content.
Of the scenes, most contained at least one completely naked person (in addition to the entirely naked guy who was onstage the entire time; more on him in a moment) which sometimes worked brilliantly. Overall, that roughly summed up my experience of the play – what worked, really worked for me. What didn’t left me shrugging.
“Thoughtful and Precise” Boys with Cars arrives at the Young People’s Theatre in Toronto.
Boys With Cars, playing now at Young People’s Theatre, is an adaptation — and that’s only partly a metaphor. Written by and starring Anita Majumdar, the show is adapted from a trilogy of plays called The Fish Eyes Trilogy that focus on the experiences of young Indian women in rural British Columbia (even the play that ostensibly features a young white woman). The girls are navigating the complex, conflicting pressures of their culture and the context in which they’ve found themselves, and though the plays feature teenagers, the work was not originally intended as theatre for young audiences. This may account for why it’s refreshingly free of the didactic heavy-handedness that often lays like a dead fish over plays that treat Serious Issues.
Well known for its genre-bending, experimental nature and risk-taking ethos, Rhubarb Festival at Buddies in Bad Times Theatre is a wild ride of multiple short performances every night. In previous years I have had stories whispered in my ear, watched snippets of opera, voluntarily locked myself in a closet with clowns, thrilled to splendid choreography, watched rapt at profoundly honest storytelling, been issued an identity card that marks me forever as a Big Spoon, and more (so much more). A mix of emerging performers and established talents (often working in new idioms), it’s a delight for all the senses.
Five Faces for Evelyn Frost experiments with social media to tell a story, on stage in Toronto
A quintet of youthful white-appearing actors, rapidly changing projection of photographs, bright white light, onslaught of short declarative sentences, nonlinear storytelling — taken together, these form most of the new show Five Faces For Evelyn Frost at Canadian Stage. If two or more of these appeal to you, you might find Five Faces For Evelyn Frost an appealing artistic work. I did not.
Young People’s Theatre presents the beloved classic James and the Giant Peach in Toronto
In children’s literature, there are few tropes more beloved than the good-hearted child who defies a horrible guardian to reach for her or his dream. James and the Giant Peach, one of my favorite examples of this theme, is currently showing in one of its modern, musical incarnations at Young People’s Theatre. Showing again, actually, after a successful run in 2014, with a new set, new costumes, and a truly excellent new cast.
Salvatore Antonio’s play S h e e t s explore’s intimacy at Toronto’s Theatre Centre
“Thoughtful and Precise” Boys with Cars arrives at the Young People’s Theatre in Toronto.
Young People’s Theatre presents the beloved classic James and the Giant Peach in Toronto