If there was a performance version of an all-star game (and that’s an amusing idea) then the North team would clearly be anchored by Laakuluk Williamson Bathory, Christine Tootoo, Jamie Griffiths, and Cris Derksen. There isn’t, but don’t despair – the quartet is already working as though there were, and has created Ikumagialiit (“those that need fire”) to show you how it’s done. The improvisational, elastic piece showed for one night at Harbourfront’s Festival of Cool: Arctic to a sold-out crowd.
Continue reading Review: Ikumagialiit (Harbourfront)
Every Day She Rose is compelling and complex, now playing in Toronto
Three years ago, Black Lives Matter Toronto was the Grand Marshall group of Toronto Pride, and used the opportunity to stop the parade and present to then-ED of Pride Toronto Mathieu Chantelois a list of demands relating to Black inclusion and centering in Pride. The surrounding controversy, which still feels fresh and difficult, is the subject of Nick Green and Andrea Scott’s new play, Every Day She Rose (a Nightwood production playing at Buddies in Bad Times Theatre).
Continue reading Review: Every Day She Rose (Nightwood Theatre)
Now a hotly anticipated annual event in Toronto, The Musical Stage Company‘s musical tribute sits squarely at the intersection of theatrical production and concert, improving both. This year’s iteration, Uncovered: Stevie Wonder & Prince, celebrating the music of both artists, was an absolute delight. Continue reading Review: Uncovered: Stevie Wonder and Prince (Musical Stage Company)
The ladies take over Bad Dog Theatre Company for a night of stand up magic in YAS KWEEN
An ongoing problem in the comedy scene, basically everywhere, is jokes that “punch down”: that is, comedy that gets its laugh by taking shots at people with less cultural power, relying on stereotypes for a lazy punch line. How refreshing, then, to settle in at Bad Dog Comedy Theatre‘s YAS KWEEN, a monthly comedy show curated by Nelu Handa and featuring all women of color comedians and hear a lot of very funny women.
Continue reading Review: YAS KWEEN (Bad Dog Comedy Theatre)
The correct time to see a comedic action-adventure solo show set in a strip club is 10:30 on a Saturday night at the 2019 Toronto Fringe Festival. Becoming Magic Mike: An Action Adventure Comedy gave the fairly full house exactly what it wanted — a playful romp. Continue reading Becoming Magic Mike: An Action Adventure Comedy (DK Reinemer) 2019 Toronto Fringe Review