All posts by S. Bear Bergman

S. Bear Bergman has great faith in the power of theatre to make change, and has been putting his money where his mouth is on that one for some time. A writer, performer, and lecturer, Bear works full time as an artist and cultural worker and loves to see as much live performance as possible – making this a fantastic gig for him.

The Weight Of It All (Haggard B) 2019 Toronto Fringe Review

poster image for The Weight of it All - a cartoon of feet on a scale in a pink bathroom. In the wastebasket a race number and a pregnancy test are visible.

The Weight Of It All, a show about weight and diet culture at this year’s Toronto Fringe, attempts to combine a critique of diet culture, a body-positive message, modern dance, original music, sensitive discussion of infertility, and much more to the stage. So much more, in fact, that I felt it didn’t quite stand up under the weight. Continue reading The Weight Of It All (Haggard B) 2019 Toronto Fringe Review

Boy vs Fly (A Dean Bean Adventure) 2019 Toronto Fringe Review

photo of Simon McCamus and Spencer Litzinger in Boy vs Fly by Daniel Beitchman My nine-year-old companion and I arrived excited to Boy vs Fly, our first show of the 2019 Toronto Fringe Festival, deep in discussion about whether the performance would feature real flies (we disagreed; I suspected no but he thought certainly yes). Turns out that while there were no live flies, there was certainly a lot of buzzing about.

Continue reading Boy vs Fly (A Dean Bean Adventure) 2019 Toronto Fringe Review

Review: Forget Me Not (Luminato)

Luminato presents Canadian Ronnie Burkett’s allegory about love, loss, and longing in Toronto

This year’s Luminato Festival, under the curatorial direction of Naomi Campbell, has collected any number of sharp, new takes on concepts that seem perhaps done – from love to climate change – but even among these Forget Me Not stands out. A new work from Canadian magic-maker Ronnie Burkett, Forget Me Not is an allegory about love, loss, longing and language that spans… well, it spans many distances.

Continue reading Review: Forget Me Not (Luminato)

Review: 11:11 (AVO Collective/RISER Project)

WhyNot Theatre’s RISER Project (#notafestival) gives a boost to four deserving productions a year, and every year’s class is strong. 2019 brings us Samson Brown with 11:11, his first solo effort, under the directional and dramaturgical eye of hometown genius d’bi young anitafrika. Brown, whose Gillette commercial dropped just a couple days before the show opened, is having a big moment as he tends his transgender body and spirit in both media. Continue reading Review: 11:11 (AVO Collective/RISER Project)