Choreographer Lee Su-Feh creates a participatory meditation on migration in Toronto
Developed as part of the Migrant Bodies Project, The Things I Carry is a solo performance by seasoned artist Lee Su-Feh. Presented by Theatre Passe Muraille and Dancemakers, Su-Feh tells stories while reflecting on her life and other’s surrounding the topic of migration.
Continue reading Review: The Things I Carry (Dancemakers / Theatre Passe Muraille)
Dance Matters presents a mixed program of contemporary dance in Toronto
Series 3 – Into the Fire presented by Dance Matters at the Pia Bouman School brings together a mixed programme of highly physical and mostly contemporary dance works. The final series of the season features a mix of eerie yet quirky creatures, a sensual yet combative duet and a fiery flamenco collaboration between a dancer, vocalist, and musicians.
Fadeout, created and performed by Anne-Flore de Rochambeau of Montreal opens the show. A bar of light in the centre of the stage only highlights the lower half of the dancer’s body, anything above the bar disappears in the pitch black space. The dancer-turned-creature, fidgets with her hands against her legs, noticeably uncomfortable while teasing to dip below the bar of light. The soundscape blends the sounds of birds chirping with different echos and rattles bringing you into this other world.
Continue reading Review: Series 3 – Into the Fire (Dance Matters)
Ballet BC brings their mixed program of three works to Toronto
Live TO presents Ballet BC at the Bluma Appel Theatre with a three work Mixed Programme. The three contrasting works showcase the beautiful company dancer’s technique and versatility. From a colourless yet quirky work to a colourful and soulful piece to the music of Jimi Hendrix, the mixed programme has something for everyone. Not to mention, it also features the highly sought after choreography of Crystal Pite.
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Canadian Stage brings Kidd Pivot’s latest dance-theatre hybrid work to Toronto
Kidd Pivot’s Revisor completely revamps the relationship between contemporary dance and theatre. Performed at Canadian Stage’s Bluma Appel Theatre, the highly sought after choreographer, Crystal Pite, reworks what is possible in the hybrid form, creating one of her most brilliant works yet.
Co-creator and writer, Jonathon Young, takes on Nikolai Gogol’s 1836 Russian play, Revisor, or The Inspector General when translated to English. The play follows a satirical story of mistaken identity which comically showcases greed and political corruption. Young’s adapted script is recorded by Canadian actors whose voices have highly expressive cadence and emotions. This recording becomes a score for the eight dancers in the work.
Continue reading Review: Revisor (Kidd Pivot / Canadian Stage)
Toronto Dance Theatre presents a a dance piece inspired by Homer’s Odyssey
Persefony Songs, is a beautifully reimagined work of Christopher House’s Dora nominated Persephone’s Lunch (2001). Initially inspired by the epic of Homer’s Odyssey, the work has been repurposed eighteen years later to create a new hour-long piece as part of Toronto Dance Theatre’s reimagining repertoire project presented at the Fleck Dance Theatre.
The space opens with dozens of wooden skids hanging from the ceiling. In the back corner of the stage we find a six-member band, dressed all in black, facing the audience. In another corner, a dancer lays face down on a long table surrounded by red apples. The remaining eleven dancers are below and to the side of the stage. They begin to jump up one by one to settle into statuesque shapes before all joining together at the long table.
Continue reading Review: Persefony Songs (Toronto Dance Theatre)