Do you want to see a winner? Go see Tamaya Productions’ Checkpoint 300 written and directed by Michelle Wise, this year’s winner of the Fringe’s First Play Competition. It is indeed very well-crafted and it continuously surprises us with unexpected facts and plot twists. I will not go into details, no need for spoiler alerts.
Continue reading Checkpoint 300 (Tamaya Productions) 2019 Toronto Fringe Review
The Black Drum is a fairy tale that feels like Alice meets Dracula in a black & white wonderland – and sharing the music and love we carry in our hearts and bodies defeats the evil, at least for the moment. Sounds familiar? Maybe, but I can assure you that what you can see and feel at this show is truly extraordinary.
Produced by Soulpepper and the DEAF CULTURE CENTRE, a project of the Canadian Cultural Centre of the Deaf (CCSD), The Black Drum is a visually stunning spectacle and an emotionally-engaging performance. It is also the world’s first entirely Deaf musical.
Continue reading Review: THE BLACK DRUM (Soulpepper/ DEAF CULTURE CENTRE)