All posts by Dorianne Emmerton

Dorianne is a graduate of the Theatre and Drama Studies joint program between University of Toronto, Erindale campus and Sheridan College. She writes short stories, plays and screenplays and was delighted to be accepted into the 2010 Diaspora Dialogues program and also to have her short story accepted into the 2011 edition of TOK: Writing The New Toronto collection. She is also a regularly contributing writer on http://www.sexlifecanada.ca. You can follow her on twitter @headonist if you like tweets about cats, sex, food, queer stuff and lefty politics.

Spider Baby the Musical (AFS entertainment) 2010 Toronto Fringe Review

By Dorianne Emmerton

If you love Rocky Horror, go see Spider Baby the Musical. I happen to love Rocky Horror – and Evil Dead movies and Elvira and all sorts of horror-flavoured kitsch – so I very much enjoyed Spider Baby.

If you didn’t know what you were in for before sitting down in the audience you knew it as soon as the lights came up. The first thing you see is the four female cast members dressed in slinky black slips vamping their way through the opening number. They are sexy and scary in that camp sort of way. Continue reading Spider Baby the Musical (AFS entertainment) 2010 Toronto Fringe Review

[sic] (Theatre Best/Before from Toronto) 2010 Toronto Fringe Review

I had originally been scheduled to see [sic] Monday night, but unfortunately did not make it due to being trapped in the subway during one of the rolling blackouts. It is a shame I didn’t get to see it sooner so I could have recommended it before now, as it only has one show left. I wouldn’t recommend it to everyone though: if you’re attached to realism in any way, this is not the show for you.

(Sic) is an absurdist comedy. It is noisy and fast-paced and often nonsensical. I happen to love this sort of theatre, but many do not. Continue reading [sic] (Theatre Best/Before from Toronto) 2010 Toronto Fringe Review

This Is About The Push (Seventh Stage Productions) 2010 Toronto Fringe Review

by Dorianne Emmerton

This Is About The Push is apparently the name of a three-part play, and this Fringe production is just Part One, entitled Opinions About The Invasion. I very much look forward to Part Two.

Going into it I knew that it was about women and war. I was apprehensive that it would be Drama-with-a-capital-D: heavy, dreary and lacking in humour. I was pleasantly surprised to find that, in Part One at least, it was entertaining and funny and there wasn’t any actual war. Continue reading This Is About The Push (Seventh Stage Productions) 2010 Toronto Fringe Review

LASCIVIA: Life, Love, Laughter: Life, Love, Laughter (Outnumbered Productions) 2010 Toronto Fringe Review

by Dorianne Emmerton

Lascivia (played by Angèle Morgan, who is also the writer) is a parody of a diva: everything she does is “fierce” and/or “fabulous.” She name-drops – apparently Matt Damon tells bad jokes. She complains about having to get up at the early hour of 11 am so she can spend all day planning her hair and makeup for that evening. She has a sparkly dress, too many fans for even a computer to count, and a devoted keyboard player who is in no way discreet about his love for her.

This is basically a one-woman-and-half-a-man show. Pavel (Matt Folliot) throws in some commentary, and at one point even goes so far as to get up from behind the keyboard to first mock her and then confess his love. But the show is mostly Lascivia talking about Lascivia. Continue reading LASCIVIA: Life, Love, Laughter: Life, Love, Laughter (Outnumbered Productions) 2010 Toronto Fringe Review

Death Ray Cabaret 2010 Toronto Fringe Review

Death Ray Cabaret is a sketch comedy show performed by a two-man troupe of the same name. Kevin Matviw and Brad Sayeau met, according to their website, at Bad Dog Theatre (formerly Theatresports) which is Toronto’s incubator for improv comedy talent.

As you enter the show you know you’re in for some darkly-tinged comedy, as the BYOV – St. Paul’s/Trinity Church’s chapel – is set up as a funeral. However the show is never morbid and there’s probably nothing in there that would offend your grandmother. Your grandmother, however, might not “get” all the jokes as a lot of them – generally the ones that work best – are pop culture references.

Fellow children of the 80’s: there’s a whole sketch in there just for us. Continue reading Death Ray Cabaret 2010 Toronto Fringe Review

Review:Homage by 2b Theatre Company at Luminato

by Dorianne Emmerton

I had no prior knowledge of the 2005 controversy surrounding the destruction of Haydn Llewellyn Davies’ sculpture ‘Homage’ when I went to see this play. It was appropriately titled Homage, and produced by 2b Theatre Company as a part of LuminaTO. Now I know all about it, and about the existence of moral rights for artist’s work. This was an educational as well as a theatrical experience and succeeded in both without being overly didactic.

The play is a true story of one man’s battle with a public entity after a late-in-life rise to fame as a sculptor of large works. It is based on an incident of Lambton College destroying a sculpture without informing the artist, a piece that they had commissioned thirty years earlier.

Continue reading Review:Homage by 2b Theatre Company at Luminato