All posts by Madeleine Copp

Madeleine Copp saw her first show when she was four years old and it was love at first sight. She pursued a bachelor’s in theatre production and design and English literature, culminating in a love for flexible, innovative, and diverse theatre artists that challenge all our preconceived notions of the stage. Her thesis, Printed Voices: Women, Print, and Performance pushed for new interpretations of closet drama from the early modern to modern period in the hopes of seeing more female playwrights included in the performance canon. Since graduating, Madeleine continues to seek out unexpected, startling, and challenging works that leave her angry, speechless, and wonderfully confused.

2017 Next Stage Theatre Festival Review: Silk Bath (Silk Bath Collective)

Photo of Amanda Zhou in Silk Bath
If there was ever a way to capture the sprawling, intimidating, racist, and limiting nature of the Canadian immigration system, I don’t think you are going to find anything better than The Silk Bath Collective’s Silk Bath playing at the Factory Theatre Studio as part of the Next Stage Theatre Festival.

Continue reading 2017 Next Stage Theatre Festival Review: Silk Bath (Silk Bath Collective)

Review: WinterSong (Canadian Contemporary Dance Theatre)

Photo of WinterSong ensemble

WinterSong graces Toronto stages with a somewhat alternative Holiday experience

There’s nothing better than than a little change in pace for the holiday season. Canadian Contemporary Dance Theatre presents a night of dance in WinterSong at the Fleck Dance Theatre.

It’s a lovely evening that offers up something a little different for those who are tired of the same old December songs.

Continue reading Review: WinterSong (Canadian Contemporary Dance Theatre)

Review: Dog Sees God (Echo Productions)

Photo of Dog Sees God posterToronto’s Echo Productions presents a grown-up Peanuts gang in the play Dog Sees God

The Peanuts gang has grown up in Echo Production’s Dog Sees God Confessions of a Teenaged Blockhead playing at the John Candy Box Theatre. This dark dramedy/parody, playwright Bert V. Royal presents the changes from childhood to adolescence wrought by life happening.

As a play, it’s a paint by the numbers coming out piece, but in the hands of director Victoria Fuller and an amazing cast, it manages to overcome any shortcomings.

Continue reading Review: Dog Sees God (Echo Productions)

Review: Agency (Yell Rebel Theatre)

Photo of Eva Barrie and Earl Pastko in AgencyEva Barrie play, on stage in Toronto, is a fascinating character study

Actions born out of dire situations can come back to haunt us. In Yell Rebel Theatre’s Agency, playing at the Theatre Centre Incubator Space until November 20th, the consequences of past actions becomes a living, breathing thing.

A disturbing script delves into questions of self, histories, and the point at which a person can, or can’t, let go.

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Review: King Lear (Mortar & Pestle Productions)

Poster for King LearMortar and Pestle’s King Lear stays on script, but could be gutsier

Where, exactly, does a tragedy start? Is it the moment a story is conceived? Or is it the moments when everything can be easily undone by simple communication?

Mortar and Pestle Production’s King Lear playing at the Gerrard Arts Space is a show that presents the inevitable tragedy with characters who seem to expect the events.

When everyone feels ahead of the plot, however, the story becomes less a tragedy and more a question of purpose.

Continue reading Review: King Lear (Mortar & Pestle Productions)