All posts by Madeleine Copp

Madeleine Copp saw her first show when she was four years old and it was love at first sight. She pursued a bachelor’s in theatre production and design and English literature, culminating in a love for flexible, innovative, and diverse theatre artists that challenge all our preconceived notions of the stage. Her thesis, Printed Voices: Women, Print, and Performance pushed for new interpretations of closet drama from the early modern to modern period in the hopes of seeing more female playwrights included in the performance canon. Since graduating, Madeleine continues to seek out unexpected, startling, and challenging works that leave her angry, speechless, and wonderfully confused.

Review: It’s All Tru (The Cabaret Company)

Photo of David Coomber and Tim PostThe Cabaret Company presents Sky Gilbert’s newest play It’s All Tru in Toronto

I don’t envy Sky Gilbert’s attempt at creating an honest and open-ended discussion of the criminalization of HIV non-disclosure in Canada. The Cabaret Company’s It’s All Tru playing at Buddies in Bad Times Theatre lays important creative groundwork in discussing poorly defined laws around unprotected sex and HIV, systemic limitations on enforcing these laws, and the consequences of such enforcement.

While there’s clearly a purpose to the play—to challenge our perspective on these laws, It’s All Tru suffers from unbalanced characters whose behaviour undermines Gilbert’s point of view.

Continue reading Review: It’s All Tru (The Cabaret Company)

Review: The Millennial Malcontent (Tarragon Theatre)

Photo of Frank Cox-O'Connor in The Millennial MalcontentThe Millennial Malcontent plays on the Tarragon stage in Toronto

What do you get when an apathetic woman, a vainglorious, misogynistic and self-absorbed youtuber, and a performance studies academic go out on Nuit Blanche? Shenanigans ensue in Tarragon Theatre’s The Millennial Malcontent playing at the Tarragon Theatre Mainspace.

A raunchy, contemporary, Restoration style play, The Millennial Malcontent tries to unpack (and fails to understand) ‘millennial culture’ while still managing to be a laugh-out-loud night at the theatre.

Continue reading Review: The Millennial Malcontent (Tarragon Theatre)

Review: Smyth/Williams (One Little Goat Theatre Company)

Photo of Kim Nelson, Deborah Drakeford, and Lynette Gillis

Smyth/Williams brings cold, hard facts to Toronto’s Theatre Passe Muraille

In 2010, Russell Williams was arrested for two rape-murders, and other counts of sexual assault, confinement, and breaking and entering. One Little Goat Theatre Company’s Smyth/Williams playing at the Theatre Pass Muraille Backspace is a dramatization of the transcript of Williams’s interrogation by—and subsequent confession to—OPP Detective Jim Smyth.

It is infuriating, nausea-inducing, and exhausting, sitting on the uncomfortable line between a necessary performance and giving an unnecessary platform to a man who doesn’t deserve our attention.

Continue reading Review: Smyth/Williams (One Little Goat Theatre Company)

Review: Deceitful Above All Things (The Storefront Theatre and Favour The Brave Collective)

Photo of Genevieve Adam and John Fitzgerald Jay in Deceitful Above All Things Storefront Theatre presents a tale of discovery in the new world, on stage in Toronto

The ‘new world’ is more than just a struggle to survive, it’s also a struggle to let go of who you really are in the wilderness. The Storefront Theatre’s Deceitful Above All Things — done in association with Favour The Brave Collective — playing at the Factory Theatre Studio attempts to strip away historical veneers of Canada in the 1600’s to get at the humanity underneath.

While there’s a wealth of material, I can’t help but think all that focus on humanity also lost some of the plot.

Continue reading Review: Deceitful Above All Things (The Storefront Theatre and Favour The Brave Collective)

Review: Carrie: the musical (Hart House Theatre)

Photo of Tiyana Scott as Carrie WhiteStephen King’s horror classic comes to the Toronto stage

Hart House Theatre’s production of the named Carrie: the musical seems like a good choice for a young cast and an inter-generational audience. Bullying is a great theme, it’s got great visual possibilities because of its story, and the audience will have fans of the book and films offering a little leeway for younger performers.

A good idea does not, however, a good production make.

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2017 Next Stage Theatre Festival Review: Silk Bath (Silk Bath Collective)

Photo of Amanda Zhou in Silk Bath
If there was ever a way to capture the sprawling, intimidating, racist, and limiting nature of the Canadian immigration system, I don’t think you are going to find anything better than The Silk Bath Collective’s Silk Bath playing at the Factory Theatre Studio as part of the Next Stage Theatre Festival.

Continue reading 2017 Next Stage Theatre Festival Review: Silk Bath (Silk Bath Collective)

Review: WinterSong (Canadian Contemporary Dance Theatre)

Photo of WinterSong ensemble

WinterSong graces Toronto stages with a somewhat alternative Holiday experience

There’s nothing better than than a little change in pace for the holiday season. Canadian Contemporary Dance Theatre presents a night of dance in WinterSong at the Fleck Dance Theatre.

It’s a lovely evening that offers up something a little different for those who are tired of the same old December songs.

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Review: Dog Sees God (Echo Productions)

Photo of Dog Sees God posterToronto’s Echo Productions presents a grown-up Peanuts gang in the play Dog Sees God

The Peanuts gang has grown up in Echo Production’s Dog Sees God Confessions of a Teenaged Blockhead playing at the John Candy Box Theatre. This dark dramedy/parody, playwright Bert V. Royal presents the changes from childhood to adolescence wrought by life happening.

As a play, it’s a paint by the numbers coming out piece, but in the hands of director Victoria Fuller and an amazing cast, it manages to overcome any shortcomings.

Continue reading Review: Dog Sees God (Echo Productions)

Review: Agency (Yell Rebel Theatre)

Photo of Eva Barrie and Earl Pastko in AgencyEva Barrie play, on stage in Toronto, is a fascinating character study

Actions born out of dire situations can come back to haunt us. In Yell Rebel Theatre’s Agency, playing at the Theatre Centre Incubator Space until November 20th, the consequences of past actions becomes a living, breathing thing.

A disturbing script delves into questions of self, histories, and the point at which a person can, or can’t, let go.

Continue reading Review: Agency (Yell Rebel Theatre)

Review: King Lear (Mortar & Pestle Productions)

Poster for King LearMortar and Pestle’s King Lear stays on script, but could be gutsier

Where, exactly, does a tragedy start? Is it the moment a story is conceived? Or is it the moments when everything can be easily undone by simple communication?

Mortar and Pestle Production’s King Lear playing at the Gerrard Arts Space is a show that presents the inevitable tragedy with characters who seem to expect the events.

When everyone feels ahead of the plot, however, the story becomes less a tragedy and more a question of purpose.

Continue reading Review: King Lear (Mortar & Pestle Productions)