All posts by Madeleine Copp

Madeleine Copp saw her first show when she was four years old and it was love at first sight. She pursued a bachelor’s in theatre production and design and English literature, culminating in a love for flexible, innovative, and diverse theatre artists that challenge all our preconceived notions of the stage. Her thesis, Printed Voices: Women, Print, and Performance pushed for new interpretations of closet drama from the early modern to modern period in the hopes of seeing more female playwrights included in the performance canon. Since graduating, Madeleine continues to seek out unexpected, startling, and challenging works that leave her angry, speechless, and wonderfully confused.

Review: Murder at the Burlesque, episode 1: The Mal-Tease Falcon

Improv meets burlesque meets murder mystery playing at The Social Capital Theatre in Toronto

Dames, private eyes, a dirty business, and a Red Herring, all in one burlesque club! What else can you expect from an improv sketch burlesque show? Willing to take unexpected philosophical side-trips into the nature of fish and man, Murder at the Burlesque: Episode 1: The Mal-Tease Falcon at The Social Capital Theatre/Black Swan Comedy is always ready to have fun with their material. Before I continue in this review, I will outright admit my bias: I love burlesque and I love murder mysteries. Therefore I am excited to report that the combination works (for the most part, anyway). Continue reading Review: Murder at the Burlesque, episode 1: The Mal-Tease Falcon

Review: Cymbeline’s Reign (Shakespeare in the Ruff)

Shakespeare in the Ruff brings an al fresco theatre element to Cymbeline’s Reign in Toronto’s Withrow Park

There is always something special about outdoor theatre — it destroys traditional barriers as, unlike in a traditional theatre, there is very little separation from actors and audience. By virtue of the location, a show has to embrace its environment. For a Shakespearean adaptation, an outdoor venue is a return to form that can either rework the Bard for a contemporary audience or fall into the forgettable traditional style.

Shakespeare in the Ruff’s Cymbeline’s Reign — an adaptation, according to the programme — is a show that is not easily forgotten — even if you have the misfortune of being rained out three-quarters through. In fact, Cymbeline’s Reign is an example of how to do Shakespeare without ever losing an important, contemporary edge.

Continue reading Review: Cymbeline’s Reign (Shakespeare in the Ruff)

Review: Sonny Under the Assumption (Old Norman Productions/Native Earth Performance Arts)

Sonny Under The Assumption is Toronto Theatre with Vision and Purpose

Exactly how do people create social change and why do we consider some more deserving than others? These are the questions that hang over Edward Allan Baker’s Sonny Under the Assumption. Over two acts, we follow the main character Sonny Montecalvo (Nicole Cardoni) as she tries desperately to drum up last-minute funding to save her community centre—a place that is running thanks only to Sonny, her boyfriend Rennie (Sean Shannon), and a ragtag group of ex-convicts. Slowly, the characters pick away at the biases inherent in social assistance programs through scathing outbursts and personal monologues. Sonny Under the Assumption is a smart story that is willing to engage with strong moral questions without offering easy answers. Continue reading Review: Sonny Under the Assumption (Old Norman Productions/Native Earth Performance Arts)

Pulling the Nostalgia Strings: Puppetry at the Fringe

BakersDozen

At my second show of the Toronto Fringe Festival I had an interesting conversation with a volunteer. Both of us were puppet show fans and both of us were struck by the sheer amount of puppetry available at this year’s festival. Not counting children’s shows, there are at least seven separate adult puppet shows—assuming adult puppet shows are rated PG and up–that indicate a resurgence in puppet popularity. Continue reading Pulling the Nostalgia Strings: Puppetry at the Fringe

Those Shoes That Light Up (Dame Judy Dench) 2014 Toronto Fringe Review

Thoseshoesthatlightup

There may or may not be an underlying thematic connection between the various sketches of Dame Judy Dench’s Those Shoes That Light Up at the Toronto Fringe Festival, but as the show songs suggest, forget about it. The point here is the comedy.

Consisting of Jessica Greco, Claire Farmer, Chris Leveille, Shannon Lahaie, Gavin Pounds, team Dame Judy Dench deliver a fun night.

Continue reading Those Shoes That Light Up (Dame Judy Dench) 2014 Toronto Fringe Review