All posts by Madeleine Copp

Madeleine Copp saw her first show when she was four years old and it was love at first sight. She pursued a bachelor’s in theatre production and design and English literature, culminating in a love for flexible, innovative, and diverse theatre artists that challenge all our preconceived notions of the stage. Her thesis, Printed Voices: Women, Print, and Performance pushed for new interpretations of closet drama from the early modern to modern period in the hopes of seeing more female playwrights included in the performance canon. Since graduating, Madeleine continues to seek out unexpected, startling, and challenging works that leave her angry, speechless, and wonderfully confused.

Those Shoes That Light Up (Dame Judy Dench) 2014 Toronto Fringe Review

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There may or may not be an underlying thematic connection between the various sketches of Dame Judy Dench’s Those Shoes That Light Up at the Toronto Fringe Festival, but as the show songs suggest, forget about it. The point here is the comedy.

Consisting of Jessica Greco, Claire Farmer, Chris Leveille, Shannon Lahaie, Gavin Pounds, team Dame Judy Dench deliver a fun night.

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Oni (Mochinosha Puppet Company) 2014 Toronto Fringe Review

Oni

A modern adaptation of the popular Japanese folktale Issun-BoshiMochinosha Puppet Company’s Oni at the the Toronto Fringe Festival delivers a visual delight with Japanese shadow lantern puppets that inspires.

The entire play is narrated by storytellers Daniel Wishes and Seri Yanai, who simultaneously work a variety of paper puppets, control their lighting, and occasionally accompany dancing puppets with recorder renditions of popular theme songs.

Continue reading Oni (Mochinosha Puppet Company) 2014 Toronto Fringe Review

Who Killed Gertrude Crump? (Monster Theatre) 2014 Toronto Fringe Review

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There is only one question that needs to be answered in the premiere of Monster Theatre’s Who Killed Gertrude Crump? at the Toronto Fringe Festival, and I’m sure we can all guess what that is. Speaking from beyond the grave, puppet master Agatha Christie, played with delightful madness by Tara Travis, unravels an unpublished murder mystery from her early days.

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Great Battles in History (Mark Shyzer) 2014 Toronto Fringe Review

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If I had to sum up Great Battles in History by Mark Shyzer at the Toronto Fringe Festival in one word, I would call it an experience. This touching, hilarious, one-man show tells the story of a failed collaborative project that examined great historical battles from a futuristic perspective. Without giving much away, the story of the steadily declining production crew coupled with historical tidbits about past warlords reveals the significance of individual losses.

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