British farce plays on the Toronto stage
Bygone Theatre fires off their 2018 season with Joe Orton’s Loot at Alumnae Theatre. I found this to be a production which shines on the technical aspects: the play is set in 1960s England and the set, props and costumes are all faithful representations of that era. The cast adopt English accents, which they maintain respectably well. Unfortunately, I felt that this attention to detail seems to have come at the expense of the humor and character depth offered by the play.
Continue reading Review: Loot (Bygone Theatre)
The Chekhov Collective brings a new twist to the Bard’s classic comedy to Toronto audiences
I have seen A Midsummer Night’s Dream only once before years back and that production featured a large cast, an elaborate set, and costumes which is why I was looking forward to seeing this version by The Chekhov Collective at as intimate a space as The Citadel. Continue reading REVIEW: A Midsummer Night’s Dream (The Chekhov Collective)
What does it mean to be Black? Is it better to have an ill-informed conversation about race or no conversation at all? How do you feel when you hear (or hear yourself saying) the word diverse? Why did Rachel Dolezal feel the need to be Black- to go one step beyond cultural appropriation into something else? What does the desire to be polite play in racism? What were you expecting from a piece called Race Cards? Selina Thompson, the creator of Race Cards, an ever-expanding installation and archive taking place at The Theatre Centre as part of the Progress Festival, invites you to answer one of the previous questions on race. Continue reading 2018 Progress Review: Race Cards (curated by The Theatre Centre & Little Black Afro Theatre Company)
The Watah Theatre stages a double bill of work in Toronto
I was excited as I made my way to Streetcar Crowsnest to see a double bill- the premiere of I Cannot Lose My Mind and an excerpt reading of a work-in-progress entitled Once Upon A Black Boy– presented by The Watah Theatre. The folks at The Watah Theatre can usually be relied upon to present something challenging and unexpected and they did not disappoint. Continue reading Review: I Cannot Lose My Mind & Once Upon a Black Boy (The Watah Theatre)
Grounding Theatre Company gives The Bard’s classic a feminist twist, on stage in Toronto
I literally said “Yowza!” when the volunteer usher handing me my program at the Harbourfront Centre told me that Groundling Theatre Company’s production of Lear is three hours long. However, I’m happy to report that the old adage holds true and time does fly when you’re having fun. When this stunning production ends you are left wanting more.
Continue reading Review: Lear (Groundling Theatre Company)