The Second City Toronto presents their annual sketch comedy holiday revue
With 2018 drawing to a close, Second City brings its annual Holiday Revue – It’s a Wild, Rowdy, Wonderful Life – to the masses, reminding us all to enjoy the small moments of joy in a period of stress and worry.
Continue reading Review: It’s a Wild, Rowdy, Wonderful Life (The Second City)
The Brothers Gentle produced by SockMonkey playing at the Toronto Fringe Festival is a poignant and often hilarious exploration of brotherhood, fathers and sexuality that is a welcome addition to this year’s festival.
Continue reading The Brothers Gentle (SockMonkey) 2018 Toronto Fringe Review
Final Exam produced by Holy Cow Entertainment playing at the Toronto Fringe Festival is an intelligent and frightening addition to the 2018 lineup, although its execution and programmatic narrative fall short of what it could be.
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Bakersfield Mist produced by ytheatre Collective playing at the Toronto Fringe Festival is raw, unpolished and not for everyone, but at its heart there’s a fiery passion reminiscent of Jackson Pollock, an artist that features centrally throughout the play.
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The Gameplay produced by Young and Crazy Collective playing at the Toronto Fringe Festival explores loneliness, competitiveness and the need for connection during either the saddest or more sinister party ever held.
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Bro Diaries produced by Fish Bar Productions playing at the Toronto Fringe Festival showcases a charming cast and comedic writing that explores the pitfalls of masculinity and modern relationships, culminating in a show with its heart in the right place, but perhaps not the right medium.
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Zee Zee Theatre presents the award winning My Funny Valentine at Buddies in Bad Times in Toronto
Originally from Vancouver, Zee Zee Theatre has brought their award winning play My Funny Valentine to Buddies in Bad Times, providing an intriguing examination of the 2008 murder of Lawrence King.
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Dead and Lovely Collective bring Circles to the Toronto stage
Since I started writing for Mooney on Theatre, one thing I’ve learned is to be excited about graduates from George Brown’s Theatre School. The program has produced some truly talented performers, and with the Dead and Lovely Collective I got to see 12 of them present their original piece Circles in the back room of the
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Memorials surround us every day, depicting tragedy, triumph, famous people, and famous events that are no longer around, asking us to remember and learn. But does the act of Memorial actually achieve the things we claim? With These Violent Delights, Guilty By Association from British Columbia take a hard look at this seemingly benign act and demands we ask ourselves why we really do it.
Continue reading These Violent Delights (Guilty By Association) 2017 Summerworks Review
Back in the late 90’s early 2000’s there was a rising boom of what we now know as Augmented Reality Games. This was before smart phones and other “direct” ways to play, so these games were built on email, phone calls and the need to travel to specific locations to continue the story. With The Invisible City, DopoLavoro Teatrale has brought this style of immersive play to SummerWorks, providing a 24 hour immersive experience to its five member audience.
Continue reading The Invisible City (DopoLavoro Teatrale) 2017 SummerWorks Review