Wayne Leung (1981-2019)
Wayne was the Managing Editor of Mooney on Theatre from 2012 - 2019 and will be sorely missed. His death from an apparent heart attack was a loss not just to Mooney on Theatre, but also to the Toronto Theatre Community at large. You can read our publisher Megan Mooney's tribute to him here here.
Wayne was a writer, editor and corporate communications professional who was thrilled to be a part of the Mooney on Theatre team. Wayne loved theatre ever since his aunt brought him to a production of Les Misérables at the tender age of ten . . . despite the fact that, at that age, the show’s plot was practically indiscernible and the battle scenes scared the bejeezus out of him. Wayne’s current list of likes ran the gamut from opera, ballet and Shakespeare to Broadway musicals, circus and Fringe theatre. Outside of the theatre Wayne’s interests included travel, technology and food.
Toronto’s Canadian Opera Company presents Ben Heppner in Wagner’s Tristan und Isolde
There are some operas that feel more like events; you could feel a palpable sense of excitement when walking into the lobby of Toronto’s Four Seasons Centre for the Performing arts last Tuesday for the premiere of Wagner’s Tristan und Isolde.
In Café Daughter, a play at Toronto’s Aki Theatre, a Chinese Cree girl grows up in Saskatchewan
Growing up, most of what I knew of the prairies was culled from Laura Ingalls Wilder novels and snippets of Joni Mitchell’s songs. Café Daughter is a story of a young girl coming of age in Saskatchewan in the 1950s but it definitely isn’t Little House on the Prairie.
In Memorial, a play by Steven Gallagher playing as part of the Next Stage Theatre Festival, Dylan (Mark Crawford), a terminally ill cancer patient is simultaneously planning both his wedding and his funeral.
Mirvish presents RENT’s Anthony Rapp in his poignant solo show Without You at Toronto’s Panasonic Theatre
In high school, I was a huge RENT fan. The prolific pop-rock musical, a story about a group of struggling artists dealing with the realities of HIV/AIDS in New York’s East Village in the mid-’90s, captured the voice of a generation of starving artists and the imagination of middle-class suburban kids like me who fetishized their New York boho lifestyle. Continue reading Review: Without You (Off-Mirvish)→