PornStar is one of the most buzzed-about productions at this year’s Toronto Fringe Festival, written by perennial Fringe favourite Chris Craddock (Bash’d) and performed by the artists behind Morro and Jasp, it sounds like a marriage of Fringe royalty. Continue reading PornStar (Beefy Geek Productions) 2012 Toronto Fringe Review
All posts by Wayne Leung
Grey Ground (Beasts of the Theatre) 2012 Toronto Fringe Review
The subject of bullying has recently come to a head in the cultural zeitgeist. Beasts of the Theatre’s production Grey Ground for the Toronto Fringe Festival is a look into the anatomy of a bullying incident and challenges its audience to look deeper than the surface. Continue reading Grey Ground (Beasts of the Theatre) 2012 Toronto Fringe Review
Quantum Taxis (Punkture Wounds Productions) 2012 Toronto Fringe Review
Punkture Wounds Productions’ play Quantum Taxis is one of the Toronto Fringe Festival’s site-specific productions and takes place in the parking garage under Honest Ed’s. The set consists of a big ol’ yellow taxi.
Continue reading Quantum Taxis (Punkture Wounds Productions) 2012 Toronto Fringe Review
The Other Three Sisters (Nobody’s Business Theatre) 2012 Toronto Fringe Review
Nobody’s Business Theatre and playwright/director Johnnie Walker have a remarkably high pedigree in this city’s independent theatre circles. The company took the summer theatre festival circuit by storm in 2010 with their plays A Maude-Lynne Evening at the Toronto Fringe Festival and Redheaded Stepchild at SummerWorks that year. Continue reading The Other Three Sisters (Nobody’s Business Theatre) 2012 Toronto Fringe Review
Mum and the Big C (Singing Strong) 2012 Toronto Fringe Review
The mother-daughter relationship is a subject with seemingly endless possibilities for contemporary comedy. Cancer, however, is not. Writer/director Lynne Kamm attempts to navigate both subjects in her new play in the Toronto Fringe Festival, Mum and the Big C.
The draw for me was the chance to see stand-up comedian and media personality Elvira Kurt in an acting role. Kurt plays Ripley, a playgirl, commitment-phobic lesbian who returns to the suburbs to care for her nagging, know-it-all mother Donna (Janet-Laine Green) who has recently been diagnosed with breast cancer. Continue reading Mum and the Big C (Singing Strong) 2012 Toronto Fringe Review