Fringe Festival

A collection of everything to do with the Toronto Fringe Festival, including reviews, features, press releases etc.

Women of the Fur Trade (Vault Projects) 2018 Toronto Fringe Review

Photo of Erica Wilson, Frances Koncan, Erin Meagan Schwartz in Women of the Fur Trade

Normally I’m skeptical of shows where the writer is also the director, the stage manager and the designer. But Frances Koncan proves no trepidation is necessary. Women of the Fur Trade is a bold ironic piece presented by Winnipeg-based Vault Projects.

Then again, it is also the winner of the Toronto Fringe Festival‘s Best New Play Contest, so it shouldn’t really surprise me that it’s a wickedly subversive comedy about feminism and Louis Riel.

Continue reading Women of the Fur Trade (Vault Projects) 2018 Toronto Fringe Review →

Prank (Thundermind Theatre and DutchGirl Productions) 2018 Toronto Fringe Review

Photo of Cydney Penner and Christel Bartelse in Prank

Funny though this play is, if you know nothing about the internet and the celebrities it creates, Prank might not be the show for you at the 2018 Toronto Fringe Festival. However, if you’re reading this review now, you have probably figured out something about the internet already.

Continue reading Prank (Thundermind Theatre and DutchGirl Productions) 2018 Toronto Fringe Review →

Forget Me Not – The Alzheimer’s Whodunnit (Rob Gee) 2018 Toronto Fringe Review

Photo of Rob Gee in Forget Me Not - The Alzheimer's Whodunnit at the 2018 Toronto Fringe

Rob Gee wrote his solo show – Forget Me Not – The  Alzheimer’s Whodunnit playing at the 2018 Toronto Fringe – based on his experiences as a registered nurse in the mid-90s. The show is used by the National Health Service in the UK as part of their training of healthcare providers in the areas of compassion and reporting concerns.

Sounds dry, doesn’t it? Not at all! Rob has combined comedy and social commentary in a show that’s sometimes hysterical, sometimes heartbreaking, always kind. Continue reading Forget Me Not – The Alzheimer’s Whodunnit (Rob Gee) 2018 Toronto Fringe Review →