It’s week two of the 41st Rhubarb Festival at Buddies in Bad Times Theatre. I love that the festival has been running longer than a lot of the audience – and performers – have been alive.
I regret that this is the first time I’ve been to the festival. It won’t be the last. It’s the kind of theatre that I love: adventurous, experimental and entertaining. Young artists stretch their wings, and established artists step out of their comfort zones to try new things. Continue reading MoT Profiles: The Rhubarb Festival (Buddies in Bad Times Theatre)
Strong performance and script make Grounded an engaging evening of theatre
George Brant’s play Grounded opened at Streetcar Crowsnest on Friday, February 14. The play is a solo piece, a monologue delivered by an unnamed US fighter pilot — a woman. Being a pilot is her life; she has a closer relationship with her plane than she does with any person.
Continue reading Review: Grounded (theatreSix)
A “stunning piece of theatre” both brutally funny and honest
There are two more performances of Class, Scottee’s one-person show. Go see it. It’s amazing. I can’t remember the last time I laughed as hard as I did last night. My stomach muscles are still tender this morning. I also can’t remember the last time I worked as hard to not sob during a performance. Or was as angry.
Class is part of the Progress Festival at The Theatre Centre. Earlier this week I saw Scottee’s show, Working Class Dinner Party and really enjoyed it. We spent 90 minutes trying to decide how to define working class. We didn’t arrive at a definition. Continue reading Review: Class (Progress Festival / Scottee and Friends Ltd.)
Working Class Dinner Party is “a joy to have dinner with”
There are times when it doesn’t matter what the description of a show says; I have no idea what to expect. I think of it as ‘theatre roulette.’ Sometimes they’re the best experiences. Working Class Dinner Party, part of the Progress Festival, is one of those shows.
Continue reading Review: Working Class Dinner Party (Progress Festival / Scottee and Friends)
Normally I see plays on opening night, but for a variety of reasons, I saw Sexual Misconduct of the Middle Classes at a Saturday matinee at Tarragon. It’s a different feeling, a different audience; a lot more people my age (middle-aged plus). The standing ovation felt genuine rather than obligatory. It was certainly well deserved.
The plot is familiar, even clichéd. It’s 2014. Jon (Matthew Edison), a 42 year old professor and best-selling author, has an affair with Annie (Alice Snaden), a 19 year old student. We can predict the story. Right?
Continue reading Review: Sexual Misconduct of the Middle Classes (Tarragon)