A play without characters or a traditional plot but with a lot of sociological theory may not seem like obviously compelling theatre. Nevertheless, Cluster Fucked, a show put on by Incomplete Productions currently running in the Toronto Fringe Festival at the Tarragon Theatre Solo Room, does just that, its talented cast taking a smart script and using it to make their audience understand important facts about our world. Namely, the power of Big Data to distort the lives of people in the early 21st century with frightening ease.
Sarah Kane’s Crave is a visceral text that dives into the human psyche. It surely is not to be messed with. With a long list of themes revolving around rape, sexual assault, abuse, child abuse, pedophilia, eating disorders, suicide and mental illness (phew, what a list), the first question to Crave Collective and Pure Carbon is: how the hell to approach these topics with audiences?