AvengerDale “in a league of it’s own” on the Toronto stage
Players is a not-for-profit theatre company specializing in TV/movie mashup-inspired theatre that’s been in Toronto since 2004. I can’t believe I’ve been living in Toronto for 6 years now and have never been to a Players show.
Continue reading Review: AvengerDale (Players)
Part 2 of this hilarious dramedy is “relatable”, and “nuanced”, at the Theatre Passe Muraille in Toronto
The Catelli’s are back in black, white and red in the second part of The Theatre Circuit‘s three-part made-for-the-stage dramedy series: Inch of Your Life. I had the pleasure of reviewing the “pilot episode” and have recently been blessed with a second pair of tickets to Episode 2/The Middle Part.
Continue reading Review: Inch of Your Life: Episode 2/The Middle Part (The Theatre Circuit)
Laser-quick comedy barrels across the Toronto stage
Don’t Look Down Theatre’s recent production of George F. Walker’s work Criminal Genius, hits the audience in all the right spots: ripe with quick word play and sly humour, the amount of laughter this show inspires is truly impressive.
Continue reading Review: Criminal Genius (Don’t Look Down Theatre)
Where There’s A Will comes to the Alumnae Theatre in Toronto
Sawitri Theatre‘s Where There’s A Will, currently playing at the Alumnae Theatre, is a wildly clever two-act comedy penned by renowned Indian playwright Mahesh Dattani. The play shines a light on the lives of a dysfunctional middle-class Indian family as they verbally duke out their deep-seated inter-familial qualms.
Continue reading Review: Where There’s A Will (Sawitri Theatre)
“Stunning” and “relevant” Punk Rock takes to the Toronto stage
The Howland Company’s production of Simon Stephen’s Punk Rock holds incredible power. The material itself is already strong, and the expert cast and creative team just pushes it that much further. It is quite literally one of the most “stunning” plays I’ve personally ever seen (second to Buddies In Bad Times’ 2011 production of The Normal Heart). Consider all the school shootings that have happened in the last year, and the stakes in Punk Rock couldn’t be higher.
Continue reading Review: Punk Rock (The Howland Company)
“Unbelievably thrilling” play lands on the Toronto stage
The Theatre Circuit’s Inch of Your Life: Episode 1 is what happens when you cross a sleek, made-for-tv dramedy with the passion and gusto of 8 expert stage actors.
Inch of Your Life: Episode 1 runs like a one-hour TV episode. The scenes switch back and forth between the A, B and C stories with your classic “sitcom transition music” in between. It’s thrilling, innovative and one of the most unique presentations of theatre I’ve seen on a Canadian stage.
Continue reading Review: Inch of Your Life: Episode 1 (The Theatre Circuit)
Melody A. Johnson delivered top-notch comedy in her solo show at the Tarragon Theatre in Toronto
Person of Interest is a one woman show for the ages expertly written and performed by the undeniable Melody A. Johnson.
Johnson plays herself, an actress in a sort of “transitionary” period in her life. When she moves into her new house, she finds out that the neighbours speak fluent “dick” (her words not mine) and eventually reaches a point of desperation where she’ll do anything to get them to move out, even if it means breaking the law… Cue Law and Order transition music.
Continue reading Review: Person of Interest (Lunkamud)
Criminal Girlfriends present Canadian playwright George F. Walker’s play Fierce in Toronto
Fierce is a new play written by Canadian playwright, George F. Walker, about the tug-o-war relationship between therapist and patient.
Continue reading Review: Fierce (Criminal Girlfriends)
Helder Brum presents his hilarious one-man show at the John Candy Theatre in Toronto
Born with a Tale is a bright and silly one man show highlighting writer and performer Helder Brum’s greatest and most embarrassing moments from childhood mishaps, to young adult shame spirals.
Continue reading Review: Born with a Tale (Helder Brum Productions)
Donna-Michelle St. Bernard’s play Cake, now playing in Toronto, studies the human condition
Cake is an interesting study of the human condition as it relates to money, power and manipulation.
In the first few moments of Cake, we see Femi (Yolanda Bonnell) come forward into the light. She has a solemn energy and dark, depressing eyes that stir up my own sadness the second she looks my way. Out comes Mabo (Tsholo Khalema), who’s quiet focus is garnished with an endearing sort of twinkle in his look.
The two engage in a sort of replay of what I gather is a traumatic memory of an earthquake. Holding their stomachs in, they’re in pain… I’m not so sure what’s going on yet and twenty minutes later… I’m still not completely sure…
Continue reading Review: Cake (New Harlem Productions/Theatre Passe Muraille)