Touching, unique, and sincere, Climb uses movement, dance, and acting to bring a lively and emotive original album to life onstage. Climb is playing at St. Stephen’s Community House as part of the
Toronto Fringe Festival.
Fringe Festival
A collection of everything to do with the Toronto Fringe Festival, including reviews, features, press releases etc.
A Brief History of Beer (Wish Experience) 2018 Toronto Fringe Review
A Brief History of Beer is a quirky, interactive, and educational rundown of the great and almighty brewskie. It is currently playing in the Terragon Theatre Mainspace as part of the Toronto Fringe Festival. Continue reading A Brief History of Beer (Wish Experience) 2018 Toronto Fringe Review
Sharnoozle! (Sometimes Y Theatre) 2018 Toronto Fringe Review
After your kids see Sharnoozle!, produced by Sometimes Y Theatre and part of Kidsfest at the Fringe Festival of Toronto 2018, they’re going to have a lot of questions. You might want to read up on Cavemen, King Tut, Joan of Arc, Wolfgang Amadeus Mozart, Christopher Columbus, Marco Polo, Amelia Earhart, and Sumo wrestlers. You’re going to meet them all. Continue reading Sharnoozle! (Sometimes Y Theatre) 2018 Toronto Fringe Review
Wounds to the Face (Randolph College) 2018 Toronto Fringe Review
For their production of Wounds to the Face, Howard Barker’s surreal treatise on identity, director Matjash Mrozewski and the actors from Randolph College have bitten off more than they can chew. Currently playing at the Annex Theatre, this Toronto Fringe offering relies too heavily on its amateur cast to carry a play where strong characters are the main dish.
Continue reading Wounds to the Face (Randolph College) 2018 Toronto Fringe Review
How to be FEARLESS! (With Roxy Roberts) (Binocular Theatre) 2018 Toronto Fringe Review
How to be FEARLESS (With Roxy Roberts) — by Binocular Theatre — is a play about a firecracker of a motivation speaker and the self-defense course she creates in response to being harassed and threatened with physical violence. Currently showing at Bell Tower Coffee, this sure-fire Toronto Fringe favourite blends consistently sharp comedy, incisive drama, and a performance from Ali Joy Richardson (in the title role) that accepts nothing less than going for the fences.