Theatre Reviews

Reviews of theatre, dance, opera, comedy and festivals. Performances can be in-person or streamed remotely on the web for social-distancing.

Next Stage Festival: Quite Frankly- Screwed & Clued Theatre Company

by Lucy Allen

Justin Sage-Passant in Quite Frankly

The Fringe tent definitely feels different when it’s January and -15 degrees outside, but that didn’t stop the crowds from lining up for the first night of the Next Stage Festival, host to eight new and reworked shows. My first show of the festival this year was Screwed & Clued Theatre Company’s Quite Frankly.  To get the obvious joke out of the way: Quite frankly, it’s worth seeing.

Written and performed by Justin Sage-Passant, Quite Frankly is a one-man show telling the story of a socially awkward man, named Frank, unable to ever quite integrate into normal situations of his society. Specifically, it focuses on his relationship with his constantly over-bearing and needy mother, who he cares for.

The moment that Sage-Passant shuffles uncomfortably onto the stage staring uncertainly and wistfully at the audience you’re immediately endeared to him. From his eye twitches to his slow methodical way of speaking, every detail of the character is explored and Sage-Passant does a wonderful job of bringing each and every one to life.

Continue reading Next Stage Festival: Quite Frankly- Screwed & Clued Theatre Company

John/Yoko Bed Piece- Draft89 Theatre Collective

by Lucy Allen

Graham Porter and Sharon Marquez in John/Yoko Bed Piece 2009

In 1969 John Lennon and Yoko Ono declared they would stay in their hotel bed in Montreal for one week to promote peace around the world and to stop violent wars.  Thirty years later, the world is just as violent, but draft89’s production John/Yoko Bed Piececurrently playing at the Toronto Centre for the Arts, hopes to reintroduce this message of peace by recreating the couple’s famous week. Continue reading John/Yoko Bed Piece- Draft89 Theatre Collective

Fiddler On The Roof – Canon Theatre

By: Darryl D’Souza

 Fiddler Harvey Fierstein

Watching Mirvish’s production of Fiddler on the Roof, playing at the Canon Theatre, certainly makes for a very entertaining evening.  Frankly, I wasn’t sure that it would be, given its length and subject matter (the marrying off of several daughters,) I thought I would be bored to death.  Happily, I was proved wrong.   

 The play flew by for me, despite being approximately 3 hours long, including one intermission.  This was the first time I’ve seen the play, and I have never seen Norman Jewison’s 1971 film version.  Although I haven’t seen any other versions, if you’re a huge fan, I cannot imagine you being disappointed with this production.  Continue reading Fiddler On The Roof – Canon Theatre

Civil elegies – SoulPepper Theatre Company

By Trent Scherer
 
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If you don’t know Dennis Lee, you need to change that. I have to admit that I didn’t know who Dennis Lee was until this October. Seems my brother-in-law had his original copy of Lee’s Alligator Pie published in 1974. I had vague memories of this beloved children’s book, so my niece and I sat and read it to remind me. That was the extent of my knowledge of Lee’s writings.

SoulPepper‘s Mike Ross and Lorenzo Savoini along with Albert Schultz took Lee’s poetry book Civil Elegies (published by Lee over 40 years ago,) and created a beautiful piece of theatre combining Lee’s poetry with musical pieces.

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My Mother’s Lesbian Jewish Wiccan Wedding Was Great… (Review of Mirvish production)

by Megan Mooney

Photo of Rosemary Doyle and Lisa Horner by Lindsay Anne Black

There was all kinds of food, and after the food, there was cake…

Oh.  Wait.  I figured since a line in the a song in the show captured my feelings enough that I could use it as the title, then maybe I could use the next line as my review.  But no, that second bit doesn’t really belong here.  There was no food, and no cake.  But the Mirvish production of My Mother’s Lesbian Jewish Wiccan Wedding certainly was great.

Not a surprise given the great review Mooney on Theatre gave the Fringe version put on by David Hein and company.

Continue reading My Mother’s Lesbian Jewish Wiccan Wedding Was Great… (Review of Mirvish production)