Theatre Reviews

Reviews of theatre, dance, opera, comedy and festivals. Performances can be in-person or streamed remotely on the web for social-distancing.

Review: Lungs (Tarragon theatre)

Photo of Lesley Faulkner and Brendan Gall by Cylla von Tiedemann.

A couple’s decision to have a baby leads to interesting complications in Lungs at Toronto’s Tarragon Theatre

Lungs, currently playing at Tarragon Theatre, is a two-hander that explores the relationship between a man (Brendan Gall) and a woman (Lesley Faulkner) as they decide, and then attempt, to have a child. As the play starts the man has just dropped the “let’s have a baby” bomb on the woman in a most inappropriate circumstance – while in line at IKEA.

This provokes the woman into a neurotic spiral, worrying about what a child would mean for their lives, and her body, but mostly concerned with the ethical implications of bringing a CO2-producing human into an overpopulated, over-polluted world. The man tries to calm her down but he does it poorly — as always, telling someone to “calm down” does the exact opposite. Continue reading Review: Lungs (Tarragon theatre)

Review: Be Mein Valentine (Skin Tight Outta Sight Rebel Burlesque)

Love themed burlesque lit up the Gladstone Hotel in Be Mein Valentine

Be Mein Valentine is an annual burlesque event set at The Gladstone Hotel. Thrown by the Skin Tight Outta Sight Rebel Burlesque troupe and Boylesque T.O, Be Mein Valentine is a cabaret of stripping women, men, and the occasional gingerbread cookie. The night combines the celebration of Valentine’s Day with the theme of German tradition and debauchery. Even though it seems like a random mix, it was nothing but entertaining.

Three charming hosts guide you through the den of iniquity. Sexy Deutsch Mark Brown, a small-town conservative man who feels corrupted by all the naughtiness around him; Ginger Darling, the clever, cheeky and – obviously – ginger host; and lastly Balonia Wry, the sex-crazed and hilarious dominatrix who, with her wandering leather crop and tasteless jokes, steals the show.

Continue reading Review: Be Mein Valentine (Skin Tight Outta Sight Rebel Burlesque)

Review: A Beautiful View (Volcano Theatre with BeMe Theatre)

Becky Johnson and Amy Rutherford in A Beautiful View

Unusual staging sets a unique tone to A Beautiful View playing at Toronto’s Factory Theatre

I was stricken when I first entered Factory Theatre’s Studio. Instead of the usual linear floor plan,  the stage had been moved so that seats rose up on either side, butterfly like. The effect is that when you go see A Beautiful View, you are literally walking into a book, a diary. The stage is the spine, the seats on either side the pages, rising up and just waiting to be read.

Continue reading Review: A Beautiful View (Volcano Theatre with BeMe Theatre)

Review: Romeo & Juliet (Canada’s Ballet Jorgen)

The classic Shakespearean tragedy is told through the beauty of ballet at Toronto’s Betty Oliphant Theatre

Romeo and Juliet is one of William Shakespeare’s most well-known and culturally referenced plays. The tale tends to be spun as a romance, but all who have stayed on for the final act know that the story ends in tragedy. The two lovers are torn apart by rival families, distance, and even death. In Canada’s Ballet Jorgen‘s production at the Betty Oliphant Theatre, Romeo and Juliet are given a new obstacle in the production: silence.

William Shakespeare is without a doubt a wordsmith. His grand odes to love and soliloquies of pain are meant to sway the hearts of audiences. In ballet, there is no shouting or crying. The dancers speak with their bodies, floating across the stage in a whisper and leaping into the air for shouts of joy. The dancers convey all the emotion of words through Bengt Jorgen’s inspiring choreography.
Continue reading Review: Romeo & Juliet (Canada’s Ballet Jorgen)

Review: Goodnight Desdemona (Good Morning Juliet) (Hart House Theatre)

goodnightdes-13

Classic Shakespearean tragedies receive a clever and humorous spin at Toronto’s Hart House Theatre

I was eighteen when I first read Ann-Marie MacDonald’s ode to Shakespeare—Goodnight Desdemona (Good Morning Juliet). I recall being struck by its humour and cleverness. The play has stayed with me ever since, though I had not seen it performed until now. Having just seen Hart House Theatre’s exceptional production, my appreciation of the play has grown significantly. It’s not just funny and clever; neither of those two words do justice to the sheer brilliance of MacDonald’s award-winning comedy.

I’m compelled to gush uncontrollably, so know that it requires tremendous restraint on my part to handle this review in a professional and dignified manner, but before I can do so, I must first give voice to my enthusiasm: This play is awesomeness incarnate! The premise is both fanciful and fiercely intelligent, the characters are captivating, and the dialogue is so delicious I wish my life were written by Ann-Marie MacDonald! Continue reading Review: Goodnight Desdemona (Good Morning Juliet) (Hart House Theatre)