Reviews of productions based in Toronto – theatre includes traditional definitions of theatre, as well as dance, opera, comedy, performance art, spoken word performances, and more. Productions may be in-person, or remote productions streamed online on the Internet.
This Is About The Push is apparently the name of a three-part play, and this Fringe production is just Part One, entitled Opinions About The Invasion. I very much look forward to Part Two.
Lascivia (played by Angèle Morgan, who is also the writer) is a parody of a diva: everything she does is “fierce” and/or “fabulous.” She name-drops – apparently Matt Damon tells bad jokes. She complains about having to get up at the early hour of 11 am so she can spend all day planning her hair and makeup for that evening. She has a sparkly dress, too many fans for even a computer to count, and a devoted keyboard player who is in no way discreet about his love for her.
I was supposed to go to the opening performance of Morro and Jasp GONE WILD last week, but since the show was almost sold out there could be no ticket guaranteed. Determined to get it covered, I went to the 11pm show tonight. And after watching it, I have to admit, I feel pretty useless. With amazing buzz and sold out shows, these two clowns are hardly in need of my paltry words. But for those few who haven’t yet decided whether to go or haven’t yet even heard of the show, let this be your confirmation that this is a show that cannot be missed. Continue reading Morro and Jasp GONE WILD (U.N.I.T. Productions)- 2010 Toronto Fringe Review→
There’s a limited time offer for this Toronto Fringe musical, don’t miss it!
When I told my friend I was going to see Act Now!, a musical about infomercials, his response was “How much material can you get out of an infomericial?” Enough for a Fringe show it seems, and definately enough for what amounted to be a very solid and entertaining musical. Continue reading Act Now! (Proper Entertainment)- 2010 Toronto Fringe Review→
On a small street off the hustle and bustle of Queen West, I enter the crowded theatre squeezing past people mid-chatter to find a place to sit. When I settle into the first few rows, I examine the stage in front of me.
A small table is set up in the corner, with a bar in the opposite corner and a few pots and pans hanging from a wire rack. When the theatre darkens we quiet down. It begins.
