Toronto Theatre Reviews

Reviews of productions based in Toronto – theatre includes traditional definitions of theatre, as well as dance, opera, comedy, performance art, spoken word performances, and more. Productions may be in-person, or remote productions streamed online on the Internet.

Destiny, USA (Convection Productions) 2019 Toronto Fringe Review

photo of woman sitting in front of keyboard and microphone

Smart, funny, moving, and integrated, Laura Anne Harris takes her audience to Syracuse, New York in Destiny, USA by Convention Productions playing at the Streetcar Crowsnest Scotiabank Studio as part of the Toronto Fringe Festival. In Destiny, a city boasting one of the country’s largest malls, Harris navigates her new job as a relay telephone operator for deaf and hearing-impaired individuals even she struggles with a looming personal tragedy. Continue reading Destiny, USA (Convection Productions) 2019 Toronto Fringe Review

The Ashes of Forgotten Rain (Missed Metaphor Productions) 2019 Toronto Fringe Review

photo of Laura Mannion and Jennifer Fahy in The Ashes of Forgotten Rain - two women framed in a backstage-style lighted mirror apply makeup at a cluttered table.

Despite the melodramatic nonsense title, The Ashes of Forgotten Rain at the 2019 Toronto Fringe is a comedy — a theatrical comedy. As in, it’s a comedy about working in theatre, full of in jokes and meta-references and pleasingly-headshaking “ah, the theatah.” For this kind of show to work at all, it needs actors that can commit fully to a high level of nonsense and then ride it through the grave and back to life. To the benefit of my funny bone, to say nothing of my spirits, this exceptionally well stage-managed play had them.

Continue reading The Ashes of Forgotten Rain (Missed Metaphor Productions) 2019 Toronto Fringe Review

Omen: The Musical (Eighteen Productions) 2019 Toronto Fringe Review

Picture of a portion of the poster of Omen: The Musical

Omen: The Musical, produced by Eighteen Productions/ The Creation Coffin and playing at the Annex Theatre  for the Toronto Fringe Festival, is a post-apocalyptic witch musical with a message: Save the environment.

The second doomsday is looming and Mother (Earth) is dying. The witches cast spells with dance as they desperately try to save Mother. I particularly love the Bacchic revelry of spell-casting, and celebrating witches. The melodic sighs and screams that accompany their songs are the perfect soundtrack for a coven. Continue reading Omen: The Musical (Eighteen Productions) 2019 Toronto Fringe Review

Audience of One (New King Productions) 2019 Toronto Fringe Review

Photo of Eric Andrews for Audience of One by El KeeganEric Andrews is a Canadian Comedy Award-winning stand-up comedian currently performing a show called Audience of One, presented by New King Productions at the Tarragon Theatre Solo Room as part of the Toronto Fringe Festival. Stand-up comics will often book a slot in the Fringe and present a show that’s usually a variation on their stand-up set. This show is decidedly not that; Andrews goes for something a bit more conceptual and the result isn’t necessarily what you’d expect of a solo show by a stand-up comedian.  Continue reading Audience of One (New King Productions) 2019 Toronto Fringe Review

Night Cows (MoonCow Theatre Co.) 2019 Toronto Fringe Review

Photo of Eléonore Lamothe in Night Cows

Night Cows, presented by MoonCow Theatre Co., is a poetic monologue movement piece that takes place in the fantastical realm of night. This theatrical experience blurs the lines between human and non-human worlds, language and the body, and French and English. It’s playing at Factory Theatre Studio, part of the 2019 Toronto Fringe Festival.

Continue reading Night Cows (MoonCow Theatre Co.) 2019 Toronto Fringe Review