How to get people out to the theatre…

Unfortunately I have no magic answers, but getting bums in seats is certainly a challenge.

Grinder’s Grumblings has a piece about just that.  Since Grinder is talking about theatre in Canada in general (but mostly outside of Toronto – with a focus on smaller and community theatres) it can be an even more difficult challenge.  Although, that said, when I used to work with Guelph Little Theatre we often had bums in seats, and the theatre operated in the black with no gov’t funding at all, so, there is also something to be said for being the only game in town. 

Anyway, I like a lot of what Grinder says.  All too often, with smaller productions (not things from established houses like Tarragon or Factory etc) it seems like the philosophy is ‘if you build it, they will come.’  Unfortunately this is, as you know, a flawed philosophy in this day and age.  So, I’m going to ramble about this for a bit, and then give folks some of my tips on marketing their shows…

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Gordon Pinsent – A Canadian legend honoured by The Company Theatre

So, it’s hard to say what you would know Gordon Pinsent best for, considering he’s done pretty much everything, including becoming an Officer, and then a Champion of The Order of Canada.  Which is only right, because he’s always kind of seemed like the quintessential Canadian actor (and director, and writer). 

Well, on September 25th Pinsent is set to receive yet another accolade…

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Norway.Today – Theatre Smash

Norway. Today - Steven McCarthy and Ieva Lucs Suicide is a pretty heavy topic.  Not one you expect to laugh while exploring, but with the Theatre Smash production of Norway.Today makes you do just that.  This show, inspired by true events, explores two people desire to die, but not alone, but it does it with a sense of humour and humanity that make it enjoyable to watch.

My show-partner for this was Elaine, who commented that she always gets to go to shows she’d never think to go to when she goes to the theatre with me.  We both agreed that it was a good show overall.  I was pretty concerned that it was going to be a teen-angst oh-so-painful kind of show – hard not to be worried about that when the topic is suicide – but like I said, the show is full of irreverent moments that add to the story.

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Diversity in Theatre Part 2 – a related article by Richard Ouzounian from 2004

In the world of, the more things change, the more they stay the same, check out this article by Richard Ouzounian that was published in the Toronto Star in 2004 (The Star doesn’t have articles older than 4 years old online, but this is reprinted with Richard’s permission)  It’s a bit depressing how relevant this article is four and a half years later.

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Diversity in theatre – It sure is white-bred around here

By Megan Mooney

Today I learned something new that has got my mind kind of reeling. Richard Ouzounian had a write-up on Philip Akin in today’s Toronto Star. The write up had one part that left me agog.  To my horror I read the following paragraph:

Akin is a considerable figure on the Canadian theatre scene, a respected actor and director, one of whose most impressive credits is actually a little embarrassing: in 2007, he was the first black Canadian to play the title role in Othello at the Stratford Festival, something that took 55 seasons to happen.

So, wait a minute…

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